No. 79: THE BUTTERFLIES, A POEM

By Raji Singh

  I am James Thaddeus Fiction, the Fifth – a true Fiction.  Typhoon tears me from my parents.  I alone survive.  I become an orphan foundling, taken in by new loving parents Dr. Ben and Indira Singh.  Now I am Raji.  These are my found and foundling tales.

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

THE BUTTERFLIES

In royal raiment we come to you Carper, and you James.

Our flutters say, ‘We are here for you foundlings.

We light by – fly by you.

(Maybe, one day, you too.)

What can we do for you?

Quietly bring pleasure and peace.

Protect you, in this world of ugly, of beast,

That, the gentleness of our beauty may,

For a moment, help you subdue.

Calico (©2013  Image by Joseph Rintoul)

Calico
(©2013 Image by Joseph Rintoul)

(Read more of the poetic beauty of Calico in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh (New material)

 

Posted in Fiction House Publishing, humor, Short stories, Uncategorized, Whimsey, writing | Tagged , , , , , , , | 1 Comment

No. 78: ST. PATRICK’S DAY TALE– RRROSE HEATHER, A DAUGHTER OF OL’ IRE-LAND

By Raji Singh

Just one of the 1,001 Tales residing for all eternity in the Fiction House.

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

(James is a four-year-old foundling.  His ill fate causes him to loose his memory.  Turt is a long-lived sort of giant turtle, ferrying James to safety in the Lindian woods. )

NOW COMES THE TALE OF JAMES’ FIRST MUSE

1966 – The Lindian Woods

James has the grandest view as he rides atop Turt: His butterflies play beneath the woodland’s vine canopy; treed monkeys screech, pointing at, scrutinizing the foreign flutterers; harmless blue-gold ground snakes retreat to behind bushes when Turt’s trip-hammer fin-claws ‘CLOMP’ close.

It is at this moment James looks to one side and sees – HER.

She wasn’t there moments before. So different then anyone he’s ever seen: Feather-laden hat, shoes that button at sides, and slender, not quite petite – so curvy in a rose-printed ankle-length dress. To keep within confines, continuously she boosts sleek bosom. Gleaming in the sunlight and separated by an emerald-jeweled shamrock brooch, those mounds seem, to the four year old, to encompass all of her.

But, ‘aah, her face.’ Hypnotizing.

“You are so pretty.”

‘So all the gents say, lad. I’ll not blush at the compliment. No innocent colleen, I.’

“What’s your name?”

‘I be Rrrose Heather, Jamie.’ Her R’s roll. Saucy brogue sways in cadence with swiveling hips as alongside travelers she tags. ‘Comes I from old Cincinnat’, via old Ire-land. Your and my bedrooms be adjacent one another, though separated by over a century.Remember blarney tales of me? No? How about of me’ friends Mariner, Carper?’ James’ face is blank.

Under The Kissing Tree: Where First I met Rrrose Heather (Image ©2014 Raji Singh)

Under The Kissing Tree:
Where First I met Rrrose Heather
(Image ©2014 Raji Singh)

(Carper is James’ great-great-grandfa, a foundling 140 years earlier.  Blackjack Fiction would one day build his publishing house on the site of Rrrose Heather’s burned bordello. Many years later, Dr. Fiction would add onto it for his clinic. )

‘Well we’ll keep company, handsome, and I’ll tell ya’. So one day ya’ be all-rememberin’.’

She stretches, tiptoe, for hanging moss. James’ eyes widen. She shields bosom. ‘Ooh, Lad! They almost leaped out: Can’t be lettin’ ya’ be glimspen’, now can I.’ She rubs James’ mosquito-bit legs with the moss. Cool, soothing. ‘Seen me Mariner use somethin’ like this for healin’. Works, suren’ it does.’

It is similar to the same green substance James has seen in vials in his father’s medical valise.

A feeling of joy suddenly brims within Turt. Because, out-of-nowhere he thinks of lovely, ageless, Rrrose Heather: Hasn’t seen her in a century. He breathes deep. Her floral scent swells his senses. Though he cannot see her, he is remembering, mesmerized by her sweeping black hair, the forever purplish-pink flower of cheeks from whence came name, Rrrose of the Heather.

Her face is lineless at 18 years or 80, eyes, weepy, smiling all at once. They glow, so blue, emblazoned with curiosity, knowledge, with an impassioned desire to fully partake of life’s pleasurable mysteries – which, she has.

Turt, he feels her presence, as if she was beside him, painting a heather-garlanded rose onto his shell as she had done so long ago. Though faded, its kiss, unlike so many of the other paintings on him, miraculously has withstood the ravages of sun, sea, and time. He saved her life, or had she, his? Neither really knew which. (But that’s adventure for another day.)

Turt hears James talk to her. He trumpets low. Will she hear my greeting?

Turt imagines she pets his head. Her touch is soft, warm.

James feels her fingers combing through his hair. He’s reminded of his…

‘Your mother, Jamie, nay could she be here. She sent me.’

“I don’t remember her, Rrrose Heather.” Gentle hands cup his cheeks.

‘Poor chil’. Course not. But see her in me. Though we be different – traveled such different paths – deep within, we are alike as twin shamrocks of a meadow. We both be women of the flesh business. Hers was in helping heal it, and me, in bringing it pleasure. Most-importantly, though, oh how we loved, fully. She; you and your fa. Me; Carper and the Mariner. And of course Turt…’ She strokes the flower on his shell.

Turt sighs. Thinking of Rrrose lightens his burdens.

Calico (©2013  Image by Joseph Rintoul)

Calico
(©2013 Image by Joseph Rintoul)

‘…and I loves’ ya’, Jamie; and young Master Jamie will come to love his Rrrose. I’ll be here when ya’ need me. Just as my sister Calico is.’ She opens palm. There’s Calico. The pretty butterfly flies to and nestles in his hair.

James yawns; so tired – so much to feel.

‘Sleepy chil’. Lie down. I’ll tell a grand tale where you’ll experience what’s rosy, and what’s not; and be learnin’ from the lessons.’ She strokes his forehead. He feels the soothing motion of being tucked-in by Rrrose Heather as a blanket of butterflies flutter barely above him. ‘Once upon a time…way down in the Leezianna swamps, lived the dreaded Thibidioux, Jamie…’

‘Who is this Jamie?’ he wonders.

Next Week:  You’ll meet Calico!

(Feel welcome to visit Rrrose Heather’s bodacious bordello in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh (New material)


Posted in Fiction House Publishing, humor, Short stories, Uncategorized, Whimsey | Tagged , , , , , , , , , , , | Leave a comment

No. 77: NORTH TO CINCINNATI AND FREEDOM

By Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

Last week: The realistic ante-bellum Underground Railroad journey of Kunta Kinder to free slaves.

This week:  His surrealistic river rafting to freedom.

***

One may wonder: When Turt’s not rollin’ down a Kentucky hill, strollin’ a parade, helpin’-out a flounderin’ Carper and founderin’ James; or when he’s not out-’n-about gettin’ tattooed – just what, with his very long time on this earth, does he do? …to make just a small corner of his world, right…

COMES NOW A TALE OF ONE SUCH NIGHT

Turt tugs a-Hempis [a sentient rope]. One end is in Turt’s beak-snout, the other attaches to a wooden raft he pulls up the Ohio. Bobbing head is barely visible. ‘Less clench please,’ vibrates a-Hempis. Turt obliges. They’ve made this trip often since their Valhalla reunion.

Aboard is Kunta, dressed in dark colors– to be inconspicuous to trolling slave-catchers. Turt is a low-gear motor, freeing Kunta to check for sandbars with a 20-foot pole. Crowded beside Kunta is the family from the tobacco plantation. Mother cradles baby. Father grasps toddlers’ hands. Gaunt looks reflect the family’s turmoil, their hell-on-this-earth, of the past weeks:

Hell’s eternal hours –

‘Quick! Hide here’: Shivering in bogs to fool the overseer’s bloodhounds.

‘Hurry! Crawl here’: Crowding beneath stinking manure wagons.

‘Climb up; fast!’ Days spent hiding quietly in haylofts without food. Slightest stomach growl or barn-board ‘creak’ might be their giveaway.

‘Run! Run!’ At midnights they streak between safe houses, stopping only to sip crick water before reaching – ‘Praise on High’, Valhalla!

Kaneshawa tends their physical needs – hot baths in the safe room Kunta and Ezekiah doubled in size as they finished rebuilding the church and parsonage. She burns tattered, stinking apparel and alters second-hand ones donated by northern sympathizers. Rested, renewed, fed, the children play with little Kunta, Turt, and Sea Line.

Reverend Ezekiah – he tends adults’ spiritual needs: “HE came with you this far. HE shall beacon the rest of your way.” Adult Kunta enters through a hidden doorway and provides an earthly realm to their journey. “I – shall take you to Cincinnati. There, others will direct you.”

Before Cincinnati happens, their hazardous river journey must continue:

Luny Mum stays behind clouds so this raft part of their trek is inconspicuous. Kunta keeps rifle close. He knows the best routes to avoid slave-catchers; but, always, there is a risk of detection.

Turt’s amphibious senses tell him what Kunta cannot know:

Coming toward them in the darkness are three humans, in a float just smaller than the one Kunta captains. Turt sniffs: Same butcher-ous scent of the pirates; same acrid odor of the powder that makes their killing weapons explode.

There is no avoiding collision; so Turt quickly devises diversion. He releases air from shell pockets with a slow, reflexive, pumping action and takes in water. Still clenching a-Hempis, he submerges, dropping to the Ohio’s mucky floor. He anchors fin-claws into mire, uprooting a couple of giant sleeping catfish – nearly his size. ‘Sorry gents.’

a-Hempis tenses as Turt’s anchorage jolts raft to a stop.

Kunta uses the pole to block the passengers from tumbling into the water. ‘Something’s wrong.’ He grabs rifle, whispers, “Hold the children.” Parents pull them closer.

Suddenly: ‘THUD!’ A dinghy collides with them. Luny Mum peaks curiously above clouds. Kunta notes three gun-wielding men – a threadbare trio. They’re stooges for plantation owners. Kunta always has plans for encounters, but is caught-off-guard by the chance collision. Move, even slightly, he knows he’ll be shot. He positions his rifle inconspicuously along his leg and hopes the darkness keeps them from seeing it.

“Looks we hit a jackpot,” comes a drumble from one slave-catcher-stooge.

You wait for the moment your amphibious senses tell you the enemy float is right above you. You purge water from your shell pockets, hunker down, prepare to launch upward and ram the interlopers. ‘NOW!’ You push at riverbed: No go. Fin-claws lock into the mire. ‘Damn the mud!’ Looking like a two-leg doing push- ups – you pump, cannot dislodge. You’d finally found your old friend, Kunta. Might lose him just as fast.

Now, catfish: They’re dumb, but persistent. After being scooted from their place, they stay close, flopping behind seaweed. They emerge and with winks and nods agree they’ll help if you return their ‘spot’.

Mud swirls as they burrow beneath you. Fin-claws dislodge. You rocket. You twist; turn, unable to keep balance. It’s a bullet-straight ride. Heart pounds. You tuck-in neck and beak-snout, but let legs dangle because they act as quad-rudders, helping control direction. Your nerves tingle. You feel water pressure might ratchet-away your top shell and you’ll have to spend life water-bound. That notion vanishes when you strike something.

A brittle, splintering sound: Turt has slammed the dinghy’s hull. It ‘whooshes’ above water. The slave-catchers fly, erratically firing rifles. Bullets ‘puck’ into the Ohio. “Blasted Go…Da…Son-of-a …” Vulgar shouts are barely coherent as they get dunked. Water splashes raft, soaking Kunta and the family. The Boys, “WHEE”, in delight.

The men grasp their knives and swim toward the raft. Luny Mum comes from behind clouds. Seeing one of the men in her moonlight, Kunta points his rifle at him while the father, sons seizing his legs, grabs the pole and pokes at another to keep him away. “We’ll take you. Mark my word,” yells the one Kunta guards. The other slowly raises his knife above the water. Just as he readies to throw, Luny Mum glints against it so the father sees. He slaps it away.

“Ow, Goddamit,” the man squeals.

The third one had swum underwater, to behind the raft. Unseen, he boards. The baby, startled by his movement, whimpers. Turt hears. His protection instincts activate. He skims through the water. As the man readies to begin slashing their backs, Turt cranes neck and grabs his ankle, snapping it easily as a twig. He drags him, kicking, screaming, son-a-bitching – “some-un get the Goddam ‘ting off me.”

He’s on Turt’s surf now. Turt pulls him away, looses, and then lets a current do its work. It sweeps him downstream. Turt disposes the others similarly, seeming to wave mock ‘so-long chumps’ with fin-claw.

Boys cheer wildly. Mother shushes them. Her face mirrors a contentment she’s never before felt. She looks onward, believing she can almost reach-out, touch the freedom her children soon will know. They pass around a canteen. Kunta takes one of the boys on his shoulder and the father does the same for the brother.

“Look straight on, son.” Kunta points. “Soon you’ll see Cincinnati’s lights.” Kunta knows what their mother is thinking. He has seen it in so many others he’s transported. He whispers to her, “Soon you’ll touch freedom’s beacon.”

The boys grin when they first see the city’s glitter. Despite what they’ve experienced, they yet possess smiles of innocence, something long lost to parents.

You tighten beak-snout to a-Hempis. You pull, and the journey continues. How many more will you make? Which might be your last? You put those scary thoughts in your shell’s furthest recesses. You replace them with the good thoughts: Soon you’ll see Carper, Ol Tom, and Mariner. You can’t wait for the look on Mariner and Kunta’s faces when they see each other again.

* * *

The next day

THE MAKING OF THE LEGEND OF WHAT HAPPENED DOWN-RIVER

Poppy Sol watches as dockworkers seine two of the stooges to safety. Poppy listens, amused, to one of their accounting the fate of the third.

“All’ve sudden a Goliath catfish nabs Moe by the ‘u-don’t-wanna-knows. Bites herself off his prizest possession ‘afore she pull him under – fer what porpoise? He didn’t have the part left that coulda ‘satisfied her.”

‘That’s what the blimen’ blow-hard tales to those that save ‘ims,’ Poppy Sol tells Luny Mum.

Mum remembers seeing it all, and grins. ‘Twas but a mere submerged limb did the pulling on ‘ims.’

‘Must of drove the other stooge batty, Mum, watching his slave-catcher mate drown. Funny thing, as I blink from high-sky I see, those that done the savin’, they’re not buying the blowhard’s sale. Instead, they’re takin’ a shine to batty’s true blitherens’ – about how a giant shelled creature be passengerin’ humans. Maybe the ye ol blow-hard’s big fish made it sound possible?’ Poppy imitates blitherer. ‘The…the shelled one’s tail be hundred foot if it be an inch.’

Mum shimmers. ‘Twas a taut, extended a-Hempis what seemed a hundred foot tail. Harmless as can be.’

As the smuggling of humans to freedom continues in coming decades, the legend of the abolitionist-creature grows; making future slave-catchers wary of the beast; and pre-occupied, with what might appear from nowhere to attack them. Because of it, many-a-runaway gets away.

(You can read more of the legend of Kunta Kinder, his Underground Railroad ‘Conducting,’ and of the Abolitionist Movement in the novel, Tales of the Fiction House, by Raji Singh.

Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh (New material) 

Posted in archeo-apologist, Fiction House Publishing, humor, Short stories, Whimsey, writing | Tagged , , , , , , , , , , , , , | Leave a comment

No. 76: BEST ACTOR AWARD

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

    Esteemed resident of the historic Fiction House, Kunta Kinder, is world renowned for his artwork – painting, carving, sculpture.  His dangerous pre-Civil War work as an African-American Abolitionist ‘Conductor’ in the slave states demonstrates his acting prowess.  Here now, as recounted in the novel, Tales of the Fiction House, one of thespian Kunta’s greatest roles.

*     *     *

THE TALE OF ONE EARLY UNDERGROUND RAILROAD SPUR LINE

(Editor’s Note: Slaves often traveled alone to do ‘marster’s bidding.’)

Bay is harnessed to a buckboard.  She is ‘slow-as-Moses.’ Reined by Kunta’s rope, a-Hempis, she moseys the dirt road toward a western Kentucky plantation.

‘Aleka will be there,’ Kunta thinks, with each new plantation he approaches. ‘She’ll recognize me, but say nothing.’  (Aleka is Kunta’s sister.)

Poppy Sol’s yawning rise sparks, pinkish-red, against hundreds of acres of tobacco plants, then smolders the dew from the leaves. Kunta breathes deeply, holding in his lungs the stinging, sweet wonder of nature’s humidor.

He feels so free in his voluntary servitude. Duty-bound to brothers and sisters in real chains, his soul soars.

Before now – delivering runaways to safe houses north of the Ohio for the old Reverend – he rode Bay straight and proud.

Now, gathering slaves for the new Reverend in the south, he slouches on splintery seat, subservient.

Looking at the white-pillared mansion in the horizon, he pretends not to see the rifle-wielding, Overseer, approaching on foot. Kunta’s an actor playing a part. He begins singing in a contrived, almost-yelping Halleluiah timbre!

“Pharoah’s daughter on de bank, little Moses in de reeds. She fishes him out wid a…”

“Whoa boy! Where you think yer headin’?” Overseer grabs a-Hempis at the Bay’s snout and loops the rope around his fist. He aims the gun at Kunta’s pretend-flinch face. Kunta knows Overseer’s thinking, ‘No killin’ ‘nother man’s property lest there’s might good reason.’ The six-foot tall white man is clean-shaven, pristinely kempt. Creased pants and pressed vest contrast Kunta’s ‘slave costuming – threadbare jacket, tattered chapeau, patched pants and boots.

(The Constant and mortal danger of riding the rails of the Underground Railroad engrain in Kunta a perpetual sense of courage-caution.)

On Kunta’s lap is a bible. Into its leather cover, he’s scroll-worked ‘Moses-aleadin’-’is-people’. The image of his village women’s braids snake through it and point to a northerly ‘promised lan’-a-milk-n’-honey’. He inscribes it into all of Reverend Ezekiah’s bibles that he delivers to slaves. Quickly glanced, it is a picture, pleasing. Examined, it is a guidepost to freedom.

(At this point in the latter half of the 1820s, few, if any whites knew of the secret codes and cryptic maps woven in quilts, painted on barns, carved into trees, that runaways and their abettors utilized to successfully navigate to a free state, territory, or Canada.)

“You ‘def, boy. I wanta’ know where yer headin’?”

“Ah is Reverend Ezeki’ Bellows shepherd-boy. I’s on his mission,” Kunta says with absurd argot and pretend-cower. He sees his ‘fools’ crescent smile in Overseer’s spit-shine boots.

(“Boots for kicken’ a relcalictrant neg’ or negress who don’t pick their share,” the overseer loves telling newly-bought arrivals.)

Kunta raises a bible and thumps it with his knuckles. “Ah’s deliverin’ the good word for the good Reverend, suh. For the Reverend’s dark flock.” He motions, eyes diverted, to an open-lidded crate of bibles behind his seat. If he came across Aleka, or maybe a runaway, he could slip them into the crate’s false bottom and smuggle them to Valhalla.

Kunta clenches jaw, concealing momentary grit of the degradation he again feels – of enslavement to the cook aboard the slave ship. He hates the overseer he knows nothing of yet knows everything of, hates him as much as he hated the Cook.

“Hey, boy. It’d save me a heap a hasslin’ before breakfast if I just blow yer brains out now.”

a-Hempis doesn’t want to test the overseer’s brag – (The mystical rope, a-Hempis, is a reincarnation of a 15th century mystic cleric, Thomas a-Kempis) – what a-Hempis does now will give Kunta a chance to defend himself if Overseer is intent on firing. He tightens around Overseer’s hand as Bay tenses snout. “Ow! Son-of-a-bitch.” Overseer pulls away, lowers gun and shakes reddening fingers.

Bay becomes jittery. She kicks-up dust. ‘Can’t let anything happen to Kunta. He must be there when I foal to see my pony galloping beside me for the first time. Must see my pony when little Kunta makes him or her, his horse.’

(Bay and a-Hempis have varying plans for different scenarios. If Kunta’s ever set for-a-whippen’, a-Hempis would convince the leathery bullwhip to soften its slashing – by promising some of a-Hempis sought-after scent. If Kunta’s hung by his own rope, and, on his own horse, a-Hempis would slip from tree limb, then Bay would gallop through memorized bramble pathways she has traveled through that no hound, man, nor other equines, could figure out and follow. Each situation so different – they would observe Kunta’s lead; follow it.)

“Ahm sure mistress-’a-house wouldn’t want the spreading of our Savior’s savin’-Word be slowed.” Kunta allows a mere tinge of slyness to stain his words. No matter how little the man thinks of him, he won’t want black blood splattered all over mistresses ‘Word.’

Overseer rubs hand. “Gimme your papers.” He examines documents that include intricately scrolled documents Kunta has created to show that body, if not soul, belongs, without-question, to Reverend Ezekiah Bellows. Kunta has, well hidden, equally-meticulously forged documents signed by Reverend, that show he and Little Kunta are free humans.

Overseer drops the papers onto Kunta’s lap and opens crate. “Pretty fancy bible covers for folks born for picken’. None of ‘em read – least better not be able, or I’ll see to it they never do again.”

“Well suh, when Mistress not a readin’ to ‘em, to help calm ‘em for you…they can meditate on the cover – calms ‘em even more for you when they’re in the field…”

“I got whippings to do that, boy.” He pats the bullwhip that rings around his belt.

“Got lots a’ deliveries for the Reverend today, suh!”

“Sounds like whip-lip you’re deliverin’.” He quickly decides against any action because his hand aches. He looks at his pocket watch, gift from his Kentuck pappy; ‘overseer ‘afore me – and his, ‘afore him – taught me all ‘ah needa’ to know about treatin’ negs’.’ “They’re due to crops. Swing a wide berth from the house, head straight to the quarters and don’t snail about.”

Outside the shanties, shadowed gray by the white mansion, your heart, ready to burst free from your chest to fly to be with Aleka, coldly sinks. Nowhere is she among the dozens of ragged spirits, who are blank-eyed from the day-by-day tobacco sameness. None read, but all smooth their hands over your cover design.

‘Follow its path,’ you want to shout to them. ‘You will discover routes to escape your Egypt – you’ll find sympathetic Moses’ ready to help.’ You begin to preach-hint, as you stand amongst your people. “Close your eyes and meditate on the, PATH. You’ll be delivered to the Promised Land.”

You become a mandatory silent when you see the plantation owner in his creamy suit and string tie, approach followed by Overseer and the field guards. “Let me see that,” Owner says.

You shan’t look into his face to decipher what he’s thinking when he examines the cover. You realize he’s interested only in leafing through the pages for contraband. Overseer and guards do the same with other bibles. Overseer drops the book at your feet.

“Yes siree,” Owner says to the air as if you don’t exist, “delivered to a promised land, of tobaccy. All right everybody. To the fields.”

For emphasis, only a few feet from a dozen men and women, he cracks his whip. It ‘snaps’, stinging the ground.

Overseer: “Your heard your Massah. To …”

‘Does anyone here see hope?’ you want to shout as they shuffle away. You pick up the bible. As you think, ‘they are too beaten to see,’ a burly-chest man and petite wife, with two clingy sons under age 4 and a baby, stop briefly. The only difference between him and the others: His eyes are afire – with desire to find the Path. When no one is looking, he puts his hand to your shoulder. No words. But his expression says, “Thanks brother. Somehow, we will see you, and soon.”

‘Yes! There’s always hope. Aleka! Your brother’s coming for you: Have hope.”

NEXT WEEK:  Conducting the railroad northward, to Cincinnati and FREEDOM!

 

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh (New material)

 

 

 

 

 


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No. 75: THE LEGEND OF THE SCARLET TONGUED, BLUE MOUTH DEMONS

By Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

I am James Thaddeus ‘Blackjack’ Fiction – a true Fiction.  Typhoon  tears me from my parents.  I alone survive.  I become an orphaned foundling, taken in by new loving parents, Dr. Ben and Indira Singh.  Now, I am Raji.  These are my found and foundling tales.

*****

From the sidewalk, you believe you hear terror in the voices of the Aru brothers.  When you peek through their bookshop door, propped to allow in the morning breeze, you think you see fright on their faces.

“Never eavesdrop, Raji.  It is impolite,” Mother often tells you.

You wish you had heeded her admonition.  Nightmares, sweat drenching sleepless nights, and a discombobulated first month of school result from what you overhear.  The street traffic is noisy.  So you make out just pieces of the conversation.

“…They may well overrun all Cincinnati, those, those…”

Ari Aru finishes his brother, Sari’s sentence.  “…Those scarlet tongued, blue mouths…”

Though it is still warm August, Ari and Sari’s next words freeze you, as if you’re a January snowman.

“…4th grade boys…”

“…turning them into…”

“…so hideous, so scary…”

You clench your school lunch sack and remind yourself, ‘You are a 4th grader, Raji.’

“Hi Raji,” Ari shouts, thawing me.

“Hello, Mr. Aru.”

“Come in Raji.  The book your father ordered arrived.  We’ll wrap it up for you to give him.”

Even though you’ve known these bearded and ancient Lindian neighborhood uncles as long as you can remember, suddenly it seems you don’t know them.  You hesitate entering their shop.  The always-there baggy, blue-black puffs beneath their eyes, seeming gentle smiles, suddenly appear sinister.

“Do not just stand there, Raji.”  Ari takes you by one shoulder.  Sari seizes the other.  These friendly bookish confines you’ve been in hundreds of times, becomes a trapping lair.  They lead you to the counter.  The business has an out of place scent, burning saffron.  Strange chants, in a Lindian dialect you do not understand, emanate from tinny speakers in a back room.

The brothers dress in white cotton dhoti shirts and multi-color silk pants.  They keep, oddly, to the old world Lindian ways.  They chew teeth reddening beetle nut, yet worship Goddess Nardesha who forbade the addictive habit.  They speak perfect English, yet stock only Lindian language books and newspapers.  These things, that for you had been ‘just the way the brothers are’, now are ominous.

You begin believing – If you were a stranger passing through our neighborhood…those red teeth, and blue-black under-eyes…you’d keep right on going, lickety-split.

“What grade are you in this year, Raj?”

You stammer.  “Four…fourth.”

“Hmm!”  Ari looks to Sari and back to me.  “Well you be very careful, Raji.  Because boys your age…”

You don’t hear the rest of what he says, because you grab the package, and run out.  You’re just sure you hear Ari say to Sari,

“I just hope our Raji doesn’t become one of those scarlet tongued, blue mouths.”

Don’t know what one is:  A zombie, giant lizard, horrific monster.  Don’t want to find out.

*     *     *

     Throughout September, you avoid walking by the bookshop.  With time and distance, you start realizing your distrust of the Aru brothers is unwarranted.  What you should fear is the scarlet tongued, blue mouths of whom they speak.

You look twice into alleys you must cross.  You never know if a scarlet tongued, blue mouth may lie in wait, or what they may do to you.  You shutter your mind to the possibilities.

Dear Reader,  you may ask.  “Why isn’t Raji asking an adult about the scarlet tongued, blue mouths?”

It is because of another conversation you overhear.  Sari Aru is on a street corner talking to a parent of a classmate.  “So it got your son.  I am sorry to hear that.  But he will survive.  Embarrassment will be his only illness.  That is fortunate.”

Then Sari says.  “If only they’d stop talking about it, then they would all be safe from the scarlet tongued, blue mouths.”

That convinces you.  Your lips are sealed.

The next day you look close at the talked about boy.  There it is, hardly noticeable, a slight tinge of blue to his lips.  When he speaks, you see a slightly scarlet tongue.

You look at the mouths of other classmates.  You lean too close to a girl’s face.

“What are you doing, Creep?” she cries.  “Are you spying on me?  Mom wants you to report if I wear makeup.  Doesn’t she?”  She quickly wipes off bluish lipstick. “I hate you Raji Singh!”

She runs from the room.  You sink low in your seat as everyone looks at you – glaring, smiling, as if we were a 4th grade ‘item’ and it was revealed at that moment.

Maybe a confrontation with a scarlet tongued, blue mouth would have been easier than confronting her.

*     *     *

     That afternoon on the playground, The Mystery solves itself.  Boys line up to climb the ladder to the slides.  Mop-haired Joshua, a trickster, secretively shares one of his gimmicks.  He takes a plastic pen from his pocket.  “The Aru brothers carry these at their store.  If the pens go bad, they may look at you funny, but they’ll give you a new one.  When you’re almost out of ink, just suck on the air hole, like this.”

The boys watch curiously.  The ink rises slowly.  Something strange happens.  Maybe it is high readings in barometric pressure that day.  Maybe Joshua’s showing off and applies too much suck effort?  The blue ink suddenly spurts from its tube – like red mercury from a thermometer in a Saturday morning cartoon.

Joshua spits, phhts, and phews as the ink coats his lips and seeps onto his tongue.  Mouth turns blue, tongue scarlet.  He runs wildly around the playground, spitting, phht-ing and phew-ing as he wipes crazily at his face.

*     *     *

     The question you will always have for Ari and Sari, but will always be afraid to ask:

“Did you know I was listening to you that August morning when I was in 4th grade?  And, was it for my own good?”

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.  They are completely different stories. My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2014 Raji Singh

Posted in Fiction House Publishing, humor, Short stories, Whimsey, writing | Tagged , , , , , , , , , | Leave a comment

No. 74: VALENTINE, COME WITH ME TO THE KISSING TREE

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

Who would ever think? A broken furnace boiler leading to my first real kiss.

Oh, there’d been plenty on the cheek – by mother, all the aunties, by my imaginary muses, Rrrose Heather, Mama Lucy, and yech phew!  Marr-gaa-ret.  Often came tickly pecks from Captain Polly.  From Turt, slurpy beak-snout nuzzles.  I’d feel butterfly wing flutters when I walked through the Woods.

But none of them was anything like what was to come – and on a day so appropriate, Valentine’s Day!

*     *     *

     No matter, that it is the coldest day in all of Cincinnati history, I stay warm because I burn with ecstasy as I run home from Mrs. Florsheim’s fourth grade classroom.

Before I can herald the ice-shattering good news – “NO SCHOOL, MOTHER; FOR AT LEAST A-WEEK-AND-A-HALF!  UNTIL THE NEW BOILER ARRIVES” – Mother greets me, even more excited than I, from upstairs.  “The principal called, Raji.  This means we will be able to accompany your fa on his trip.  So hurry.  Come pack.”

SANYO DIGITAL CAMERA

The Kissing Tree (Image ©2014 Raji Singh)

Within an hour, we are on the plane to New York, to connect to a Lindia flight.

“You’ll get to see Reena,” Mother whispers so she won’t disturb other passengers; or maybe she wants to share a private moment.  Perhaps she doesn’t want to embarrass me in public.  “Valentine Day is big in Lindia as in America, Raji.  I knew you might not have time to get Reena a card.”  She hands me a red envelope.  “You can give Reena your heart.”

I mostly turn red.  But inside my smile fills me completely.  ‘Reena!’  I haven’t seen her since last summer.

I sleep most all the way over the ocean.  I dream of Reena, working alongside as volunteers helping feed the poor, and then later playing together – jacks, cards, exploring the Lindian Woods.  When I drowsily awaken, I look out the window.  ‘Reena!’  Her semi-cupid smile and sweet chocolate hair sway gently in dreamy cloud drifts.

Our plane lands in Lindia City.  Fa goes to consult on a free clinic he and other doctors are establishing.  Mother and I visit smooth-face aunties and gray-bearded uncles.

After so many cheeky kisses, both bristly and soft, Mother brings out a costume the aunties have made for me.  The scents of their exotic perfumes, absorbed by the yellow silk cloth as they sewed it, lingers as I put it on.  A scarlet-teethed beetle nut chewing uncle whiskers my face with black paint and marks my bare arms with orange blotches.  I am to be a young tiger, alongside dozens of other similar young human cats, at a benefit for the clinic.  Another of my uncles, Uncle Balu, a real life Tigerman, will be the entertainer.

~ ~  editor note:  The art of the Tigermen is ancient, its Lindian origins unknown.  The performer in tiger costume and regalia dances lithely as the big cat, and sings-growls hauntingly of its plight.  Tigerman troubadours traveled cities and villages entertaining as circus, movie, and tv do today.  In the 21st century, Tigerwomen have joined in this resurging cultural phenomenon.  You can see a demonstration and learn more of it in Raji Singh’s novel Tales of the Fiction House.  ~ ~

The curtain falls on our performance.  The tiger kids gather around Uncle Balu, adulation, as if he were a rock star.  I feel a paw on my shoulder.  I turn.  ‘Reena!’  She’s a face painted young tigress in golden slacks.  She was a dancer too.  I just hadn’t seen her in the masquerading tiger troupe.  Uncle Balu motions with his claw.

‘Go with Reena, Raji.  We’ll see each other often while she’s in school.’

SANYO DIGITAL CAMERA

Welcome to the Lindian Woods
(Image ©2014 Raji Singh)

Reena and I walk into the bright sunlight, paw in claw.  I had thought when we first saw each other we would screech and howl like wild cats, and pounce into the Lindian Woods.  Instead, we walk slowly and our words, especially mine, come like timid purrs and near-silent meows.

Purr!  Its been so long since I’ve seen you, Raji.”

     “Meow.”

Reena takes a paper lace heart from her small purse.  “Happy Valentine’s Day.”

“Meow!”  I reach into my pocket.  Oh no!  I left the card on my suitcase when I changed for the show.  If only there was some tiger-magic that could make it bound through the window and fly to me.  Before I attempt to stammer, “I…I have a card for you too Reena,” I hear a voice saying,

Aark!  Ark!  I know what you’re thinking.  I’m on it.”  It’s Captain Polly.  She’s in a tree, camouflaged by colorful leaves.  I should have expected her to be spending a tropical few weeks here, while it’s 20 below in Cincinnati.  Inconspicuously, she swoops away.

Reena looks around.  “Did you hear someone calling for someone named, Mark?”

“Meow!”  A cat that swallowed the canary, I.  “I don’t think I heard anything, Reena.”

We walk through the woods, our purrs, our meows slowly becoming human words.

“Will you be coming to Lindia this summer?”

“Definitely, and for the whole summer.  We’ll work alongside each other, again.”

Behind the golden face paint, Reena’s smile becomes sun-bright.  I’m emboldened.  I twist my neck so our faces are inches apart.  Reena closes her eyes.  I wet my lips and I ready to…

A trumpeting blare coming from the close-by river startles us.  We pull away from each other.

Of course, I should know by now.  Where Captain Polly is, nearby, probably too will be Turt.

‘Darn it!  I suddenly realize.  Turt’s blast was intentional – my shell fellow’s good-natured ploy of scaring, enabling me to take Reena into my protective embrace.

I hear,“Aark!  Aark!” once again.

Reena once again hears Mark, and walks around the woods looking for someone by that name.

Captain Polly carries the red envelope in one talon.  Swift as a falcon she swoops down, lights on my shoulder, and slips it down the back of my shirt.  She whispers so Reena cannot hear.  “Take her on a romantic cruise.”

I’m confused.

“Upon Turt, silly boy.”

I know my facial expression asks, “Where?”

“Turt knows,” Captain Polly says, and flies, disappearing among tree leaves before Reena returns.

I open my mouth, no words, not even a timid meow or purr, come forth.

“Raji.  Are you okay?”

Suddenly Captain Polly’s voice becomes deep, and it’s as if she’s talking for me as Cyrano de Bergerac talked for the stupefied Christian to Roxanne.  “Mi Lady, your card.”  I remove it from my shirt.  With jittery fingers, I take it from the envelope and give it to her.

“Oh Raji.  It is beautiful.”

“Take my hand.  Come sailing with me,” Polly-Cyrano requests.

We walk to the river and board Turt’s carriage of a shell.  We sit close to one another and hold hands tight.  As an excuse, we say, “So neither of us might topple into the water.”  Turt sets sail, always looking straight ahead to allow us to be alone.  Neither of us talks as we drift; free of all school and playground worries.  Our winged Cyrano keeps her big beak out of our privacy by flying parallel to us, an unseen chaperone hidden in the woodland.

The warm breeze pushes through the round curls of Reena’s hair.  I feel I’m drowning deliciously in the jasmine perfume of her shampoo.  I put my head to hers.  She doesn’t pull away.  I know we both are feeling the pulse of each other’s temples beating as one.  Even when a curious alligator swims up to investigate the goings-on on his or her river, and Turt opens his razor-sharp beak-snout to ‘HISS’ him or her away, we do not separate.  Are we oblivious, or are we blissfully in lo…No, I’m sure I’m too young for that.

After 20 minutes, Turt ports riverside.  Gently I hold Reena’s hand and we disembark.

Captain Polly-Cyrano de Bird-gerac re-emerges from her quiet.  “Come Mi-lady.  Walk with me.”  Turt motions with his beak-snout the path we should take.  Slowly he trails us.

I’m dying to speak for myself.  Just when I start to, Captain Polly shows herself and squawks, “Aark!  Beware, Raji, Reena, Turt.  Behind you.”

When danger arises, Turt can step sideways on his fin-claws fast as a spinning top.  The entirety of his sharp-edged shell frame becomes a deadly cudgel if need be.  As Reena and I turn, Turt is already facing a 600 pound tiger that has leaped from the Lindian Woods, and is within one bound of us.  The beast’s scream-roar vibrates the trees in the Lindian Woods.  The Lindian River, and those of fin, within it tremble.

Reena pulls my arm.  “Let’s run, Raji.”

Aark!  Stay where you are,” squawks Captain Polly.  “He’s just jealous, Reena, Raji.  You both make prettier tigers than he will ever be.  Turt and I will cure him of his raging jealousy.”

Captain Polly flies, talons bared toward the top of the tiger’s head.  She gouges, again, again, grounding him mid-pounce as he leaps toward us.  That’s when Turt rams the tiger’s stomach with his shell.  Turt’s automobile-equal weight winds the beast, and he flops lamely to the twiggy floor.

Turt clamps his fin-claw atop the breathless tiger to imprison him.  He winks and motions with his beak-snout proudly raised high, as if to say, ‘You three proceed.  I’ll have no trouble making sure he doesn’t follow.  I loyally await your return.’

“Follow me,” beckons Captain Polly.

In a few minutes, we arrive at something so majestic, so overpowering, so like I’ve never before seen, that my eyes water.  A lump forms in my throat and I am speechless.  Towering above us is two Lindian Fan Trees.  By their height, and the sturdiness of their entwined roots that grow together as bastion legs just above the ground, I know they’re well over 100 years old.  Their lean trunks grow at a slight angle upward, and then veer inward 15 feet in the air, merge, as two mouths meeting, before continuing their separate paths skyward.

“The…the…”  Reena can hardly speak either.  “I’ve heard stories of it.    But I never really thought it existed.  It is so grand.”

Aark!  The Kissing Tree,” squawks Captain Polly.  “Kiss her you, fool.”

I take Reena in my arms and our mouths meet.

The Kissing Tree  (Image ©2014 Raji Singh)

The Kissing Tree
(Image ©2014 Raji Singh)

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.  They are completely different stories. My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2014 Raji Singh

Posted in archeo-apologist, Fiction House Publishing, humor, Short stories, Uncategorized, Whimsey, writing | Tagged , , , , , , , , , , , , , , , | Leave a comment

No. 73: OLYMPIC GLORY – GOING FOR THE PYRITE

  by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

A curious letter to the editor appeared in the Moscow Times-Oppressor on May 1, 1895 under this banner headline:

‘BRAMBLE SURFING FOR SUMMER AND FUTURE OLYMPIC WINTER GAMES?’

     The query by my great grandmother, Shelva Fiction, a Moscow immigrant to Cincinnati, U.S.A, came in the form of a detailed proposal.  She postulated:

‘If ever there was a first-ever most extreme sport to include in these first modern-day Olympics, this, my Mother Russia, is it.  I would be willing to lead a team to Athens…’

Her earnest though unconvincing letter is of little relevance to its reader 120 years later.  But g-grama Shelva’s personal account of how she comes to discover the sport’s ultimate thrill makes for seat-of-the-skirt, edge-of-the-bramble board reading.  We at Fiction House Publishing discovered her original accounting in the archives while doing archeo-apology work.

A side note:  When notified the 2014 winter games would be in Sochi, Russia, we sent a copy of her letter to the Sochi Olympic Bureau, hoping to generate interest in adding Bramble Surfing to their menu of sports.

Unfortunately, their definitive one-word reply was, “NYET!”

Hear now, Shelva’s accounting.  Enjoy!

*     *     *

 SANYO DIGITAL CAMERA    Mine husbant, mine sweet druzhyna may be a doctor, still, all the women in my family back in Russia insist on a midwife.  “So, I ask mineself – “Vy shoult I be different?”

(Note to yourself, Shelva:  You may sometimes talk like a gibbering greenhorn, young Mrs., but try to write clearly, like the famous American, newspaperwoman, and adventuress Nelly Bly.)

The midwife, an affable but formal Ohioan, gently pats my still-flat belly and looks softly into mine eyes.  Her hand is warm, her words, caressing.  “You are doing well, Mrs. Fiction.  Just be sure you get enough exercise in the many coming months.”

“It is a lovely day.  I will start now,” I tell myself, buttoning up my blouse and tucking it into my cotton skirt.  I leave horse and shay near her house downtown.  Our hired hand Efraim Ephraim can pick it up when he comes in for supplies.  I walk – shank’s mare – the Amerikans call it – the three miles home.  I remove my patent leather city shoes and put them in my purse.  Summer’s heat-baked soil caresses my feet.

Ahh!  So refreshing:  Like my young girl treks through the gently rolling Vorobyovy Gory (Sparrow Hills) with Mother and brutter, Ivan.

By walking, I am able to notice for the first time, the seeming ocean of brambles overtaking the lush green land folds near the Fiction House.  The dense, prickly vines twist and twine together, some 15 feet high at their crest.  Their pin-sharp points are no longer than my pinky fingernail.  Even their thumbnail-size leaves have little stickers.

Ach!  So thick:  To get to the sweet smelling fruit-berry yield, how could even a sly rabbit enter the brambles tangling morass?

“If not stopped,” I tell myself, “they will creep into mine bedroom window some dark night and strangle me in mine bed.”  (Similar horror lore our Moscow cook, Vampira, told Ivan and me when we were small – about her Carpathian Mountain village.  Her stories still give me nightmares.  Even now in the bright sunlight, I shake a little from fear.)

“Efraim Ephraim,” I shout when I see him currying our nanny goat, Galena.  Efraim:  He’s always wiling away time with anything to detract from the thousand more important things needing doing.  “What on earth, Efraim?”  Before I can finish…

“Well it’s like this Mz. Shelva.”  He hikes his britches, runs the comb through his chin hair then continues.  “She’ll give a lot more milk if…”

I block out what he says until he finishes.  It is easier to let his stream of tall tale run its course, then to hush him.

“Why are all these brambles here, Ephraim?”

“Doc Fiction brought ‘em from Lindia for special berry elixir.”

“Does he need so many?”

“Nope.  It’s like this Mz. Shelva.  Doc let ‘em grow wild.  Seems he had a Dr. Heartfield on one side of the property as a neighbor.  A Dr. McCoy, the other.  They were always raiding his medicine supply when he was out.  No honor ‘mongst some of them physicians you could say.  The Lindian brambles kept ‘em at bay.”SANYO DIGITAL CAMERA

“Is there any bit of truth in that, Efraim?  I am not that green.  Hatfield and McCoy.  Surely!”

“They was here before your time Mz.  Moved on when they couldn’t raid Doc Fiction’s patents no more.”

I retrieve lopping shears from the tool shed.  “To work, Efraim.”

Efraim tries one more gambit to maintain the E-Z life.  “What say we put all the goats to chawing and chewing.  I’ll just bet they could handle it.”

“That won’t do Efraim.  It would make their milk too sticky.”

I catch Efraim Ephraim off guard with my nonsense.  For once, he is speechless.  I take the goat by the horns and hand him the loppers.  “This landscape needs a woman’s touch, and your muscles need developing beyond what currying provides.  We’ll make the outside of the Fiction House look like my lovely Vorobyouy Gory.

SANYO DIGITAL CAMERAEfraim looks at me crookedly then glance away quickly and shyly as if I’ve said something indecent about female anatomy.

“For gosh sakes, Mz. Shelva.  You shouldn’t talk like that.”

Feh, Efraim.  To work!”

I return an hour later wearing durable country clogs so I don’t get stickers:  Little progress do I see, though Efraim tries hard.  A pile of rigid clothesline-diameter branches that he has cut – they razor into the ground.  Dozens of little nicks and gouges stain his cheeks and arms red.  An errant bramble, catches in Efraim’s wild black hair, encircling his head, making him appear gallantly ready for ancient crucifixion.

“Oh, no.  This will never do,” I say.

“You’re right, Mz. Shelva.”  Efraim grins, just a little too quickly.  I realize, real as his sustained injuries are, they’re not too painful, and that Efraim most likely has embellished his appearance with the crown of thorns.  He starts to mosey to the shade tree where I tethered Galena.

“Oh, no.  This will never do,” I repeat.  I take Efraim’s hand.  “Come with me, sir.”  My mind whirls.  ‘How can we solve this sticky situation?’  We go to a storage shed.  Suddenly an answer clicks into my thoughts.

“Take these boards to the bramble bushes Efraim.”

They are planks, about three feet in diameter and six feet long.

I lift one upright, and then lean it onto low growing brambles.  As I begin to walk onto it, and slightly upward, the springiness of the plants makes me bounce lightly.  Efraim’s eyes widen in surprise.  “What are you doing?”

Ah, exercise, just like the midwife advised:  Feels so refreshing.

“Hand me another board, Efraim.”  He does.  I extend my platform-path outward another six feet and upward slightly.  I walk up it, and bounce as if I am on a trampoline.  My heart beats faster as the board pushes the hardly-giving-in plants down ever slightly, yet evermore.  Just as some women in my condition crave odd foods, I’m realizing that I’m craving excitement – of the extreme variety.

“Be careful, Mz. Shelva,” Efraim shouts.  In the distance, Galena adds her “Nays”.  Efraim’s arms twirl like windmill blades as he signals me to come down.

“We’ll lay the brambles flat.  One board at a time.  Then you and Sir Winston (the mule) can plow them out, Efraim.  Hand me up another board.”  Befuddled about what to do, he grants my request.

Another and another.  Nearly breathless, I reach the crest.  I’ve pushed it down, from 15 feet high to ten feet.  I stand straight.  My breathing is deep and powerful.  My heart races.  I raise my hands over my head.

Queen of my world!

I bounce, springing high above the board nearly a foot and a half:  Sweet freedom of the open sky.  Captain Polly flies to and lights on my shoulder.  She whispers.  “Aark!  Now you know how I feel while soaring, Shelva.”

What happens next is scary and exhilarating all at once.  The potential energy of the bunched brambles turns kinetic.  The thick springing-loose vines push back at the board I am on.  I’m instantly lifted five feet.  “Whee!  Oh, no!  Any control I once felt, vanishes.  Captain Polly clutches painfully into my shoulders and flaps her wings, as if to balance me, to keep me from falling into the even more painful, clutching brambles.  On the ground, nothing Efraim can do but echo Galena’s no – nays.

Suddenly, from the berries being crushed and making things slick, the board with me on it begins sliding, surfing downward.  There I am, bending, crouching to stay on it.  I extend my arms to steady myself.  I maneuver the board this way and that, in smooth semi-circles, to keep myself upright.

I travel ten, fifteen, thirty, fifty feet.

I imagine I am on an ocean wave, riding to shore, the bramble stickers, sharp sharks’ teeth readying to devour me.  Am I crazy?  I love it.  I twist, turn, feel like doing a somersault.  If I did, I just know I’d land feet first on the board and continue my wild ride.  Captain Polly echoes me as she holds tight.  “Whee!  Ooh!  Ride it Shelva.  Ride it on down.”  The pain of her talons no longer bothers me.  Any fear of falling into a prickery netherworld disappears.  All that is there for me is the ride, the wild trip downward into oblivion and heaven all at once.

Has even my heroine and idol, Nelly Bly, ever known such adventure.

“Wait until winter,” I excitedly tell myself:  “When my bramble slope ices over with snow.  Then I’ll put my Russian skiing expertise to the ultimate test.

“Maybe invite Nelly up to my slopes.”

SANYO DIGITAL CAMERA

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.  They are completely different stories. My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2014 Raji Singh

Posted in archeo-apologist, Fiction House Publishing, humor, satire, Short stories, Whimsey, writing | Tagged , , , , , , , , , , , , | Leave a comment

No. 72: CHEF R.K.’S GOURMET SURPRISE

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

I am James Thaddeus Fiction, the Fifth – a true Fiction.  Typhoon tears me from my parents.  I alone survive.  I become an orphaned foundling, taken in by new loving parents, Dr. Ben and Indira Singh.  Now, I am Raji.  These are my found and foundling tales.

CHEF R.K.’S INGREDIENT I.  A LARGE PORTION OF CAN DO

Once upon a time as a lad, I possessed a plastic picture finger ring.  From the first day I saw it in the bric-a-brac shop – MAGIC!  Twist it, just slightly.  A glittery red, white, blue image quickly changes, back and forth, from Old Glory to President Kennedy.  I listen as his courageous profile challenges me:

“Ask not what your country can do for you, Raji.  What can you do for it, hmm?”

I fury, fume, and wonder aloud.  “How can I help?  There must be a way.  There must!”  But, to a ten year old in Cincinnati, everything seemed right in my world.

When my parents overheard me and saw the ring they said, “Raji, you are too young for the late President’s Peace Corps.  Yet there is much you can do.”  For this task, they took me to their homeland, Lindia.

Though Lindia is but my adopted country, as an orphaned foundling, its kind people had saved my life.  So this is where I began my many ‘can do’ summers, volunteering for something I’d not anticipated, certainly not relished – a road kill clean-up crew.  Many wonderful things came from it:  Just one of them – meeting lifelong friend, Chef R.K.

(His real name is Rhandi Khan.  But because of his unusual roadwork, initials R.K. seemed more appropriate.)

INGREDIENT II. A TOUCH OF MAGIC

SANYO DIGITAL CAMERA

Welcome to the Lindian Woods
(Photo Copyright 2014 Raji Singh)

     A type of painting similar to the here-now flagged-later Kennedy ring, murals the side of Chef R.K.’s twenty-foot long wagon that sits alongside the road in the Lindian Woods.  The painting shows Lindia’s Goddess Nardesha.  Blink and her outstretched palms lift from her creamy silk gown.  She raises upward, Heaven bound.  Other images painted on the wagon:  long lines of crunched road kill.  You can almost hear Nardesha whisper to them.  “Come with me, my gentle creatures.  The bondage of your spirits to this earthly realm is complete.”  You blink; mongoose, cobra, lizard, squirrel, a fish – a FISH? – And dozens of other artist-depicted road kill puff out, are reborn, and then parade proudly skyward.

“You like picture?”  Chef R.K. asks, hardly looking away from his cooking.  His grill is the length of the wagon, and three-feet deep.  Covering its surface are sizzling meats he filleted from flattened critters.  They intermingle with steamy vegetables and pots of bitter-smelling broth.

R.K, in his 40’s is lean and tan, his face clean-shaven.  He is shirtless, and in short pants to keep cool in the warm Lindian sun.  His arms, hand and head move so fast you’d think his ancestors were octopus.  His magic dust he sprinkles constantly:  Ground herbs and spices in pouches hanging from his belt.  They marry the bill of fare then birth tantalizing sweet scents.

R.K. controls his outdoor kitchen as a concert pianist does piano keys.  Nothing burns.  He removes sumptuous morsels, large and small, round, square, long, that were once animal sacrifices to the speeding steel gods of the highways.  Now the critters are platefuls of inviting delicacies.  Mongoose-cobra, rat-wildcat, eternal enemies sauteed together as one.  He passes the dishes quickly to a line of other volunteer boys and girls who distribute them to the hundreds of bedraggled poor.

“The impoverished, Raji” he says, putting his mouth near my ear so I may hear midst the clattering pots and pans.  “They too have the right to taste the wealth of Goddess Nardesha’s sumptuous array of bounty.  Her food minions such as I; we have the ability to provide it, lovingly, tastefully.  This is why I do what I do.  I serve but the freshest of kill.”

Because of all the chattering of the gathering, and all the happy eating sounds, I can hardly hear Chef R.K. say “hello-goodbye” to my parents.  He knew they were bringing me.  After hugging me, they leave, not wanting to be in the way.

I know I won’t see them for weeks, but it is hard to feel my sadness at their departure for too long because R.K. instantly puts me to work midst the frenzy.

INGREDIENT III.  ENDLESS HUMBLE OFFERINGS

     Everything R.K. serves comes from the Lindian Woods.

He points to boxes of orange and yellow cocoa pods other volunteers gather.  “Crack open.  All these, Raji.  Separate bean from white.”  His voice necessarily is staccato, to keep pace with his swift actions.  I slam the pods together like castanets.  They open easily.  The insides are marshmallow soft, chocolaty pungent.  I barely have time to taste it.  R.K. ratchets it away and spreads it on the grill for flavoring.  He waves his arms from his chest, outward, to indicate to me the impoverished.  “Today, we serve them.  “So we eat last,” he orders.

When all the pods are open – “Good Raji,” he says tersely.  “Now.  Sprinkle this on the oxen’s grass.  He gives me a bucket of sour smelling powder.  “When that is done.  Shovel up their droppings.  Bring them to me.”

One of the other busy volunteers – a freckled, black haired girl my age, who for reasons I couldn’t understand at that time in my life – smiles hugely at me, and whispers.  “The powder is R.K’s secret extract.  It makes the droppings smell sweet as clover when burned.  This is a must.  Because it is with it he heats the grill.”  She fidgets timidly in her jeans and t-shirt.  Her black eyes sparkle.  She smells sweet, like vanilla ice cream.  “My name is Reena, Raji.”

Dozens of tasks I accomplish that first day on the road kill crew – stoking the lavender aroma flames, washing pans, slicing pineapple, mashing mango – all for the purpose of feeding those in need.  By now, I am drained of energy.

Reena brings fresh coconut milk and we share a half-shell.  Inconspicuously, she wipes my face so R.K. doesn’t see we sneaked it.  Briefly, she holds my hand.  Her fingers are warm, lithe.  I breathe deeply.  This moment of joy like, I’ve never known before, this brief respite from President Kennedy’s “can do”, renews me.

“YES!”  I shout inwardly.  I suddenly understand, feel the importance of President Kennedy’s words.  To me they mean, ‘only by helping others will you help yourself.’

Though we’ll eat nothing until all are fed, this thought would power me through the afternoon, then the rest of the summer, stay with me throughout my life.  And the succulent scents – they would give me strength of willpower as well as muscle.

INGREDIENT IV.  FISH, BUT NEVER FOUL 

Every so often, a volunteer runs up, shouting and carrying a dead fish.  “She’s delivered another one.”

R.K. takes it, sniffs, smiles, says.  “I can always count on her to deliver only fresh.”

‘Her?’  I look around.  ‘Her, who?’  I wonder.

Finally, another curiosity gets the best of me.  I must ask, “How…a fish as road kill?  How could so many keep falling off trucks?”

R.K. laughs, but the mournful sound seems a dirge.  Midst his busyness, he takes time to explain.  “There is sea kill too Raji.  The wood and fiberglass gods of the water – the yachts – they leave much torture in their wake.  As long as there is sea kill and road kill you will find me here summers and holidays.”

All of a sudden, I hear a familiar voice.  “Aarrk!  Catch Raji.”  I look into the blue sky.  Just in time to put my hands out, and grab what Captain Polly drops – a four-pound fish – bigger than her; her biggest delivery of the day.

“Ahoy, Captain Polly,” I shout, so excited in my surprise to see her.

“You know our Captain Polly, says Reena.  “Often she helps us.”

“We are the best of friends, in Cincinnati.  Geez, Reena.  It’s such a small world.”  Suddenly I have this desire to show Reena all my hiding spots and favorite places in my neighborhood back home.

My smile gets huge as Reena’s as she looks at me.  I’ll just bet she knows what I am thinking.

Reena stammers a little, and glances away briefly, deciding what she will say.  “Umm, Raji.  Uh, well…  Captain Polly certainly does get around.  Maybe you know her compatriot in the water?”

I look through the woods, to the river that parallels the road.  I see the top portion of a tattooed brown shell bobbing above the water.  “Turt!”  He winks at me and with his beak-snout scoops up unfortunate road kill and tosses it skyward.  Swooping Captain Polly seizes it in her talons.  She grunts as she’s pulled slightly down by the weight.  She manages to stay airborne.

Oh, so that how she’s able to deliver such huge loads.  Her momentum plus willpower propels her.

Captain Polly drops the fish to R.K., then lights on my shouder to rest.  I smile, pet her glistening plumage.

R.K. laughs.  “Well, Raji.  Appears it is old home week.  It ought to be an adventurous summer for you three musketeers.”

I look at Reena and say to myself, “the four of us.”

INGREDIENT V.  REPLENISHING THE SPIRIT     

Its getting dark.  The poor, fed for another day.  Only the volunteers remain.  We eat, yet plentiful uncooked food remains.  “Nothing wasted,” declares R.K.  “We’ll slow cook the remaining overnight on the cooling grill.  It will provide many breakfasts.”

SANYO DIGITAL CAMERA

Walk With Me to the Kissing Tree
(Photo copyright 2014 Raji Singh)

With the help of Turt who moseys up from the river, we all load the grill onto the wagon.  Captain Polly squawks directions.  “Higher, lower.  Aarrk!  To the left, right.”  We yoke the oxen and harness them to the wagon.  The volunteers disperse.  Reena remains.  She pulls me aside.  Her face shimmers in the starlight.  “My parents will be picking me up soon, Raji.  I…I…just wanted to say how glad I am we met.  I’ll be returning to help R.K. again next week.  I…I’m anxious to see you again.”  Headlights beaming onto Nardesha indicate a car approaching.  Reena kisses my cheek, and runs to the car and gets in.

I feel…I don’t know what I feel.  Surprise?  Joy?  Shock?  All these emotions reel wildly within me.

THE FINAL INGREDIENT.  CONTENTMENT

The oxen, so used to R.K.’s route, pull the wagon by rote.  They know to stop just before daylight, so R.K. can ready for another day’s cooking.  He and I recline on sleeping bags atop an elevated bunk on the wagon.  We’re far above any wild animals that are fortunate to avoid becoming road kill.  Captain Polly is dozily reliving the day with Turt as she rides atop his shell.  He rides on a sturdy sidecar-like storage platform attached to the wagon.

R.K. points skyward.  “You will learn the constellations as summer passes, Raji.  It is so relaxing to search the heavens.  See there.  That is Orion.  Look, Andromeda.  She is a beautiful young princess.”

I study the formation, but I don’t see stars, only Reena.  I think R.K. reads my thoughts.  He says, “You like Reena, yes Raji?”

I nod.

“Good,” he says.  “She is a sweet girl.  She has been a little helper of mine, almost ever since she could walk.  She lives by my restaurant in Lindia City?  I am sure you’ll get a chance to see her a lot.”

R.K starts telling me about himself, his wife and grown children, his history with road kill wagons – he has one of them in each of Lindia’s 40 provinces, all with their cooks, volunteers.  I hear what he says, but my thoughts are on Reena.  I anxiously ask, “Will Reena come back soon?  Does she have a boyfr… Before I can finish, Captain Polly, half squawks half sings, “Reena, dear Reena.  Our dear Raji is smitten.”  Turt joins the serenade, with a trilling trumpeting.

EPILOGUE:  THE FINAL GARNISHMENT

I went to the Lindian Woods one summer, decades later, to visit R.K.  Nowhere in sight.  I returned to Lindia City and stopped at his always-crowded restaurant.  The road kill wagon sat cobwebbed in the alley.  He took a few moments to visit.

“The steel gods of the highway Raji:  They’re ever bigger, soar ever faster.  Yet there is little road kill to collect.  Who would ever think?  It is because there are so few of Nardesha’s creatures remaining to pass from one side of the road to the other.  Who can say why so many are no longer here:  Chemicals, pesticides, changing temperatures, the flooding coasts?  SAD!  Which species will be next, Raji?  Yours and mine?”

If you knew R.K. as I do, you’d know he is undefeatable.  He pats my shoulder before returning to the grill.  “Raji, we road kill chef’s have a new weapon.  It is something so simple.  It is called ‘NOTHING WASTED’.  We make sure there is no waste in any of our restaurants.  From just here in Lindia City, we feed hundreds of thousands poor each year.”

R.K. smiles broadly as he happily flips, fillets, and fricassees.

WHEN NEXT WE SEE REENA AND RAJI:  ‘WALK WITH ME TO THE KISSING TREE’              

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.  They are completely different stories. My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2014 Raji Singh

Posted in archeo-apologist, Fiction House Publishing, humor, satire, Short stories, Whimsey, writing | Tagged , , , , , , , , , , , , , | Leave a comment

No. 71: USE YOUR IMAGINATION TO FIND YOUR PASSION

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

I am James Thaddeus Fiction, the Fifth – a true Fiction.  Typhoon tears me from my parents.  I alone survive.  I become an orphaned foundling, taken in by new loving parents, Dr. Ben and Indira Singh.  Now, I am Raji.  These are my found and foundling tales.

Last Week:  I discover that my ‘giving-back to the world’ summer job as youngster would be volunteering on a road kill clean up gang.  How can this help others?  Soon I would see, and it would change my life.  A strange and wonderful sixth sense would awaken.

*     *     *

     My parents and I walk along the gravel roadside, amongst Lindia’s most impoverished, to meet the man in charge of the road kill crew.  A crescendo of sound and scent, mixing, becoming an almost indescribable sixth sense, overpowers me.

     I.  The Scents:

Carried on a spicy bed of gently warmed cinnamon twigs, propelled by a soft breeze, comes a unique sweet-coconut, sleepy-cocoa aroma one smells only in these Lindian Woods.  Quilting it are the sour of lemon drips, the pungent shavings of ginger, earthy cumin, the licorice smell-taste of fennel, and the sharp mint of coriander.  These delicacy scents, savored daily by even Lindia’s poorest.  These are all combinations completely new to me.  I would learn all about them that summer and they would remain with me, in my smell and taste sensations to this adult day.

II. The Sounds:

The scents mix with the sweet, hypnotic strings of sitar music that flow smoothly through the pungent air, mixing, roiling together until they become one –the unknown sixth sense.  Where have I heard these soothing sounds?  So familiar.  I feel I am swept onward by the wave of humanity in which I travel, toward the smell, toward the sound.  The music and the aroma do not get more intense and louder.  Instead, they mingle even more; become even more – as one – if that is possible.  Then I realize.  The music is from an identical, scratchy, yet still beautiful old 78 Victrola record Mother so often played.

From Beethoven’s Ninth – Ode to Joy played in gentle solo by Ravi Shankar.  His echoing strings seem to still the Lindian Wood’s bird whistles and small animal chirps.  Are the creatures studying the tone, so they can later join the serenade?

I tell myself.  This is the most beautiful music ever composed; and played at its most beautiful.

III. The Intermingling:

I imagine myself a movie cartoon.  My nostrils flare to breathe in all of the scent that I can.  I puff up my face as if a hot air balloon.  My body rises, is parallel to the terra firma that my feet no longer touch.  My ears enlarge, as those of an elephant; they flap like wings to take me to the sweet sound and smells even faster.

Not my parents, not the crowd, notice as I soar up and above them.  Airborne, the scents are ever fresher, and the chords of the sitar even more clearly.

My sixth sense allows me to smell-hear the crackling sizzle of car and truck flattened monkey, mongoose, and cobra dropping onto a grill and being filleted and fricasseed.  Magically, it seems, there is not one shred of gamey meat or melting fur drifting my way.  I realize – it is nothing supernatural.  The Chef’s culinary way, combined with Maestro Shankar’s unparallel intonations creates this never before known sixth sense.

Am I the only one who realizes this?  If so, why?

Have my suddenly acute senses, via imagination, helped me discover my life’s passion?

Next week:  CHEF R.K.’S GOURMET SURPRISE

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.  They are completely different stories. My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2014 Raji Singh

Posted in archeo-apologist, Fiction House Publishing, humor, satire, Short stories, Whimsey, writing | Tagged , , , , , , , , , , , | Leave a comment

No. 70: IMAGINE…DREAMING AS A KING, INSPIRING AS A GANDHI, UNITING AS A MANDELA (or simply – using laughter to lighten another’s load)

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

     I am James Thaddeus Fiction, the Fifth – a true Fiction.  Typhoon tears me from my parents.  I alone survive.  I become an orphan foundling, taken in by new loving parents Dr. Ben and Indira Singh.  Now I am Raji.  These are my found and foundling tales.

*     *     *

     At least twice a year – from kindergarten to high school – Lindia bound with my parents.  Away from comfortable home quarters at the Fiction House Medical Clinic in Cincinnati, we’d fly, to some impoverished hospital half-a-world away.

Side by side, they ‘cared for’; with me fetching blankets, ferrying bandages, filling water bottles.

“You are learning of one of life’s greatest and yet simplest gifts,” Mother would tell me after a long day.  “Giving!”

Fa, ever the believer that, “there are good lessons to learn in every situation, son,” would add, as if he were prescribing a long-known miracle drug.  “Every unselfish act, Raji, helps you avoid, septem peccata mortalia, those seven deadly sins that tempt all humans:  Lust, envy, gluttony, sloth, greed, envy, wrath.”

I enjoyed helping the sick by assisting my parents, but a nurse or doctor I’d never be.  Soon, they sensed this.

“Many are the ways for you to help people, Raji,” they agreed.  “You will find one if you use that vivid imagination of yours.  In the meantime, we have just the right thing for you while we are at Hospital.”

As any other ten-year-old – Adventure – that is what I yearned:  I’d just read Robinson Crusoe.

So, as we traveled, to where this mystery assignment would commence, I was allowing my imagination free play, as a way to wile away the early morning hours.  Never ending are the tales a tyke can create while riding alone in the back seat of his parent’s sedan.

I smiled broadly and said to myself.  “My parents will sense my desire.  They’ll let me ‘give’, by allowing me to work on a cobra-milking farm – where the venom is transformed into healing medicines.  I’ll become the Number One Squeezer in all Lindia.”

I hear a deep ‘Hah!  Hah!’

Did Fa hear my thoughts; or sense my thoughts?  No he and Mother are chit chattering about illnesses.

Poppy Sol, bouncing brightly along the treetops of the Lindian Woods, looks through my window.  He’s nearly out of breath from trying to keep up with our vehicle’s pace, but still he’s able to sputter.  ‘Hah, lad.  Kidding ye must be.  Never would your Fa, let alone your Ma allow you to become a Squeezer.’

My aspiration of adventurous altruism skids to a dead stop.

But one of Poppy Sol’s stray rays allows a flickering rebirth of hope.  ‘Holt on a minute now, me young bloke.  Just perhaps, I may have a gra-a-a-nd way to bring about a change of mind in them.  Let’s say we…’

I am so excited, but I cannot understand the rest, so, to the glass I put my ear, to, better hear.  Sol can be a mighty prankster – at least in my tyke imagining.  But I’m just sure this is no pranking.

Luny Mum’s beam enters, right through the window glass on the other side of the vehicle.  She taps my shoulder.  ‘Don’t you be believin’ a word that fabricatin’ ol Sol be tellin’, Raji.’

Loving Mum, she’s readying to bid adieu to the day, but still she takes time for me.

‘Raji, as your earth mum says, “use your imaginin’.”  Dream like a King, mi lad.  And Think.  Of how might you inspire?  How might you unite?’

Hmm!  I wonder.  How?  Then a flash of brilliance comes.  ‘I know what I’ll do Luny Mum.’  Poppy Sol glares through the window at me, anxiously awaiting my decision.  This time I know he won’t guffaw.  My great idea burns in my thoughts hot and bright as Sol.  I sniff.  I think I smell my brain afire.  Burning brain:  It smells rubbery.  I never took time to notice the acrid scent of smoldering synapses in the hospital, if ever there was an occasion to notice such a thing.  I look around:  No smoke billowing from my ears.  Look up:  My cowlick isn’t a red flame lick.

‘THUMP!  THUMP!  THUMP!’    

The sedan hit a pothole, causing a flat tire.  That’s what I smell.  Fa retreats to repair it.  Mother keeps him company.  As we sit, a line of chauffeured silver and gold Rolls Royce and Bentley pass us.  I blink.  No, I’m not imagining this.  I see it – with my own eyes.  I just hope not all those well-dressed passengers had my grand idea at the same time I did.  And now they’ll beat me to the punch; or in their case, the champagne.

Luny Mum interrupts my thoughts.  ‘Tell us your plan, young ‘un.’

‘I’ll become a tiger trainer.  We’ll take the big cats to the hospitals to entertain the sick.’

Whaat ho, lad?’  Queries Poppy Sol.

I look out; think I see laugh lines creasing Sol’s glow.

‘Hah!  Hah!  The patients are there to be cured.  Not get eaten.  Don’t be daft, lad.  They wouldn’t let your creatures past the front doors.  Hah!  Hah!’

     ‘Sol’s right, Raji.  You must think of other ways to help.’

But I thought it was such a good idea.

My parents get back in and we’re off.  Curious, I ask.  “What are all those fancy cars doing so far from Lindia City?  On such a desolate road?”

Mother turns, squinting to see me midst Sol’s glow of curiosity.  He also wants to find out why.  Mother’s soft face is aglow with compassion as she explains.  “Often these days, Raji, such royal caravans may be seen.  They too make pilgrimage, for a sole purpose – to give food to poor people.”

“HA!  HA!”  This time the laugh isn’t from Poppy Sol, but Fa.  He looks briefly from the road ahead to address Mother.  “You know well as I Indira, why they journey.”

“But at least they do, Ben.  That is enough for me.”

Fa begins carrying on a ‘prescription’ conversation with me, glancing at me in the rear view mirror almost as much as he does at the road.  “As Goddess Nardesha proclaims, Raji.  It is easier for an elephant to traverse safely through an active beehive than for gentry to enter the glorious hereafter.”

Mother laughs.  Luny Mum joins her.  I wish the two could meet.  I know they’d enjoy the others company.  Maybe one day they will.  Mother says, “Goddess Nardesha has an irascible sense of humor that your Fa likes, Raji.  And she is right.  To appease Nardesha:  That, I believe is why the royal caravans have come into existence…

“Watch the road, Ben.”

As their front seat chit chattering focuses on elephants, beehives, and gentry, Luny Mum’s gentle beam strokes my shoulder.  ‘Other ideas lad, other ideas.  You’ll not want to become one of Nardesha’s pachyderms.’

‘I know just the thing, Luny Mum.  To the sea, I could sail.  Train otters to catch fish for me.  Then I’ll bring the nets-full, to the poor.’

‘Never,’ glares Sol.  ‘Fish!  Where’s the ADVENTURE?  Besides, those you mayest ‘elp be land bound.  In your journey, the floppers would half-bake in me heat.  Would do more hurt than ‘elp.’

‘You’ll have to imagine another way to help the earthbound,’ Mum glows.

“Ben, watch the roa…”  ‘SCREECH!’  Fa swerves to avoid creating road kill of a mangy mongoose.

I’m pushed against the door.  The jolt frees the answer that must have been in my thoughts all along, but trapped.  ‘I know Poppy Sol.  I know Luny Mum.  I shall give back, by helping.  This solution will be unbeatable.’

The celestial glares and glows show that Sol and Mum are interested in this latest proposal.

In unison.  ‘Go on lad.  We await your decision.’

I am so excited I talk so fast I hardly stop for breaths.  ‘Poison tip dart artisan for tribesman to use in their blowguns.  To defend their forests from foreign tree rustlers who ravage the land for selfish profit motives.  Those, elephants, care not a whit about the people, animals, and plants they displace and destroy.’

Sol glistens.  ‘Blimey, lad.  Poison tips.  An excellent idea to rid the undesirables.’

Mum’s stern reaction.  ‘Nonsense you two.  Never ‘ave I heard anything so ridiculous.’

‘No, no, Mum.  Fa has medicines that deaden but do not kill.  The rustlers are unconscious, just long enough for the tribesman to inform authorities to come and jail them.’

I see I’ve convinced Sol, but Mum, she still needs work.

“Watch the road, Ben.”  ‘SCREECH!  THUMP!’  Fa slides into the back Rolls of the royal caravan.  To protect from injury Mother braces her hands against the dashboard, and Fa holds tight to the steering wheel.  I am tossed, over and into the front seat, landing, jostling safely onto Mother’s lap.

‘Youch!  That’s gotta hurt lad.’

“Not really, Sol,” I say aloud.

“What say, Raji?”  Mother asks, gently stroking my cheek.

“Oh, just imagining,” I say.

Luny Mum strokes my other cheek.  ‘It is time I take my leave, lad.  Glad everyone is safe.’  With no fanfare, Mum fades, disappearing into the blue.

We get out of the car just in time to see the train-like chain reaction of Rolls and Bentleys slowly bumping, one at a time, undamaged into the car preceding it.  Their natty sarong and dhoti-attired owners are too occupied to notice, or care.  They’re quite conspicuously appeasing Nardesha by directing their tuxedoed butlers to distribute, from porcelain tureens, sweet smelling delicacies, to the unending lines of raggedy passers-by.  Some of these poor stop to taste, but only for a moment.  Most continue the ongoing movement forward, as if some holy destination lays ahead, some nirvana worth passing up the caravan’s mere morsels.

As Mother, Fa, I, and, Poppy Sol follow, I notice dozens of youth, around my age.  They load unfortunate road kill onto carts, then they also move forward.

I squint upward.  Anxious in my curiosity I query Sol.  ‘From your position, you can see what is ahead.  Where is everyone going?  Is the reason they’re not stopping to eat the gentry’s food, does that have something to do with it?’

‘HA!  HA!’ is Sol’s reply.  ‘Raji, I can see quite clearly from here the job your folks have arranged for you.’

‘Tell me.  I am so anxious to know.  What it is?  Tiger tamer?  Cobra Squeeze?  Poison tipper?  Otter fisher?’

‘You’ll not like it, young bloke.’

‘You’re wrong Sol.  Any helpin’ kind of daring-do adventurin’, ‘ll do me fine.’

‘Well then, brace yourself, lad.  Your ‘elpin’ ‘ll be…

On the road kill gang.  Surely that’ll ‘elps ya from becomin’, a elephant.’

It’s a good thing our whole conversation took place in my imagination:  Because my mental shout of ultimate disappointment would have deafened all within a mile.

What possible good for humankind could the road kill gang provide, I ask myself?

And, just where, oh where – are all the poor, bound?

NEXT WEEK:  ONWARD, TO SAVOR CHEF R.K.’S GOURMET SURPRISE

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.  They are completely different stories. My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2014 Raji Singh

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