A BAYOU GATOR’S REMINISCENCE – A LIMERICK

By Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

In Honor of National Poetry Month

Just one of the 1,001 Tales residing for all eternity in the Fiction House.

The butterflies’ nemesis, the gators.

*     *     *

See purty buttahfly – see dem flits.

Onst our snouts by mistakes, they sits.

Gulp, yum! Ah so coloricious we would glow;

Me ‘n gatorhoodhood frien’ Thibidioux-

As dey twitter downst into our belly pits

*     *     *

Calico, A Foundling's Gentlest Friend (©2013  Image by Joseph Rintoul)

Calico, A Foundling’s Gentlest Friend
(©2013 Image by Joseph Rintoul)

(Read more of the gators’ threats to the beautiful Calico in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh and  ©2014 Raji Singh (additional material)

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AN APRIL 15 A-TTAX ON SYNTAX

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction  ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

     We’re in the Ides of April, National Poetry Month.

     Here’s a little celebratory prose and verse,

     To lighten the burden of the tax day curse.

     It’s the 1890s. Fiction House’s hired hand, Efraim Ephraim, lounges alone in his cavernous Man Cave’s hot springs-hot tub. His moonshine still bubbles, almost in cadence to the burbles of the mineralized water. He lifts a jar of freshly dispensed crystal-clear White Lightening to his nose and sniffs. It has the same earthy bouquet of the plant root ingredients. He proudly toasts himself.

“My Dear Efraim, your recipe is unmatched.” He sips, and reconnoiters. “Ahh! An alcohol for the ages.

     Angels would sing and dance in unheard of delight,

     If on my special recipe they could get tight.

     He tells himself, “I should send that ditty to Nellie Bly’s newspaper. They’d print it. On second thought, better not. Gov’ment men’d come and smash my Angel makin’ happy apparatus.”

Efraim contents himself on his reading material, a dilapidated 100-year old copy of Benjamin Franklin’s Poor Richard’s Almanack.

‘In this world nothing can be said to be certain, except death and taxes.’

“How right, your Almanacky is, dear Benny.” Efraim toasts the long-passed statesman, as if they were not only compatriots in philosophy, but also in their choice of ‘stump juice’.

A Perfect Vessel for Making Stump Juice (Photo by Mark Rogers, 2014)

A Perfect Vessel for Making Stump Juice
(Photo by Mark Rogers, 2014)

Inspired by Franklin’s adage verse, Efraim draws himself another jar of ‘the lightnen’ of the Seraphim’, and commences composing.

     Revenuers keep away from my still.

     Don’t make me witness your bitter, nectar destroyin’ drill.

     You say, ‘No tax from your moonshinen’ do we accrue,

     So, into the dirt must we dump your brew’.

     The Angels will weep, Oh you Gov-ment men,

     So ‘steada usin’ your axes for destructin’,

      Join me in toast and drinkin’, Mine Frien’.

*     *     *

“The only difference between death and taxes is that death doesn’t get worse every time congress meets.” Will Rogers

 

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2015 Raji Singh

 

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THE BUTTERFLIES, A POEM

By Raji Singh

(In honor of National Poetry Month)

  I am James Thaddeus Fiction, the Fifth – a true Fiction.  Typhoon tears me from my parents.  I alone survive.  I become an orphan foundling, taken in by new loving parents Dr. Ben and Indira Singh.  Now I am Raji.  These are my found and foundling tales.

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

THE BUTTERFLIES

In royal raiment we come to you Carper, and you James.

Our flutters say, ‘We are here for you foundlings.

We light by – fly by you.

(Maybe, one day, you too.)

What can we do for you?

Quietly bring pleasure and peace.

Protect you, in this world of ugly, of beast,

That, the gentleness of our beauty may,

For a moment, help you subdue.

Calico (©2013  Image by Joseph Rintoul)

Calico
(©2013 Image by Joseph Rintoul)

(Read more of the poetic beauty of Calico in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh (New material)

Posted in archeo-apologist, Children, Fiction House Publishing, humor, Short stories, whimsy | Tagged , , , , , , , , , , | Leave a comment

The Fiction House Presents Larkish verse for April, National Poetry Month

My heart flutters like Calico, A Foundling's Gentlest Friend (©2013  Image by Joseph Rintoul)

Fly with us and a bit of poetry!

ANTIGONISH

by Hughes Means, 1899

 

Yesterday upon the stair,

I met a man who wasn’t there.

He wasn’t there again today

I wish, I wish he’d go away…

 

When I came home last night at three,

The man was waiting there for me

But when I looked around the hall,

I couldn’t see him there at all!

Go away, go away don’t you come back anymore!

Go away, and please don’t slam the door…

 

Last night I saw upon the stairs,

A little man who wasn’t there.

He wasn’t there again today

Oh, how I wish he’d go away…

 

(Read more whimsy in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2015 Raji Singh

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THE TALE OF AN EASTER LILY AND A DESERT RESURRECTION IN POETRY AND PROSE

By Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

April is National Poetry Month. For humans it is a time for Easter, Passover, and various human (‘two-leg’) celebrations. Plant, bird, butterfly, and creature (the ‘four-legs’) celebrate, too. They call it Transformation: The Time of the Great Desert Pilgrimage.

For your two-leg reading pleasure, here is the magical, surreal poetry we at the Fiction House cherish.

LET ME TELL YOU THE TALE OF PRICK LILY THE SAGE

A ragin’, sagin’12 feet tall

Green

Cactus Queen

Prick Lily

Whose wisdoms come

Quite Willy Nilly

To partake of her

East Tehas Wit

Far away Critters

To her desert

Will flit

But not too close…

For fear of being

Pricked Silly

The towering Prick Lily mystically emanates to her butterfly sister, Calico. ‘Know what today is, Calico?

My heart flutters like Calico, A Foundling's Gentlest Friend (©2013  Image by Joseph Rintoul)

My heart flutters like Calico, A Foundling’s Gentlest Friend
(©2013 Image by Joseph Rintoul)

As magical as Lily’s communion, is Calico’s reply from off in the desert. ‘But of course, Lil. On this day, at this hour, for thousands of years, never interrupted.’

Lily emanates,‘Yes! The Great Desert Pilgrimage. Lead them to me.’

‘Indeed Lil I will.’

The gulf breeze tips Prick Lily’s forever-upright arms. Bastion trunk firmly anchors her. She doffs white, ten-gallon – Doves sail. Lily sings: ‘Ya hoo and rippity doo. It’ll be a rip-roarin’, rootin’-tootin day deep in the heart of Teharoo.’ Lily’s emanations spring forth from her prickers, thousands of tuning fork transmitters. Critters, plants and varmints of the territory, their sensations, preened from millenniums of nature’s honing, absorb her vibrations. Lavender petals, the shape of fine porcelain dishes, and, just as delicate, forever blossom on Lily. Their lacey antennae-like pistils are her sense-sound receivers.

Calico becomes – hundreds of butterflies – and her shifting colors bewitch all who see.

Luny Mum suddenly seems to glow above the desert, making a rare, full, daytime appearance. She gleams to a just-as-anxious Poppy Sol. ‘A parade, Poppy. Wouldn’t miss it.’ Her beam streaks the blue sky, touches, and holds Poppy’s warm ray tightly.

The hundreds of Calicos – they swoop down and light upon Lily – then become one Calico again. No one can ever be jaded to butterfly magic.

Creatures of the desert sand will witness a parade few humans can imagine. What a tale could be told.

Spider-webbings royally cloak Lily’s shoulders

Calico perks antennae. ‘Do you feel the vibration Lily?’

‘Indeedy do. ‘bout time. I ‘xpect you’ll be the one to lead em all in.’

Calico affirms with the flit of a wing, then flies off, to beyond the horizon. Lily beams to her subjects near and far. ‘As the heat Orb shines his brightness and the night Goddess honors us with a daytime audience, come all! Gather for the royal procession that will transform our desert – into – our Paradise kingdom.’

LILY’S ROYAL TALE

Creatures stream across the sand to Lily. Most are timid, like lizards and armadillos, but also copperheads, coyotes, Gila monsters. Prick Lily trusts all, fully. In turn, she is trusted infinitely. Creatures convey to Queen Lily their most private thoughts. Passing leaves, migrating birds, deliver news; plants, other cacti, relay messages. She collates, stores all; interprets and disperses desert sage.

Lily achieves near harmony among her subjects through her fanciful mix of cowgirl frivolity and Solomon edicts: ‘Coyote territory – north of me; wild hogs, south; all insects are fair game to salamander, and sal, for snakes; snakes for birds of prey – but only if those doing the preying rely first on the dying for their diet. ALL must gather for sunset vigil with others of their kind…’

Stray bulls might charge Lily to challenge her desert dominance – but only once. “Youch!”

If humans wagon by, they stop and look in awe of her majesty. For those lost in the desert, parched by torturous heat, she provides sustenance by easing the sharpness of lower prickers, allowing them to gouge trunk to suckle her liquid.

THE SKY PARADE COMMENCES

What all the critters spent the year anticipating BEGINS.   The sky becomes awash with colors, yellows, ambers, reds. Calico leads hundreds of thousands, maybe a million butterflies.

The parade’s spectators’ eyes widen. They are fanned by the cool flutters as the promenade surrounds Prick Lily. The critters feel they are swept up into it, swaying gaily, airborne within the hues. Any sorrows are deadened. Their world is beautiful, loving.

‘If only we can keep these feelings forever’; they think. No more pain, sadness. Just joy. They’re certain the world has chosen only them to savor its beauty.

Butterflies’ flutters thunder louder than any herd of horses. They barely see Lily because so many of the paraders encircle her. Lily yells, ‘Yahoo, rippity roo…’

Sweet music is this peacefulness. This all may last a minute, or five, or maybe an hour. Maybe a year, a century. Creatures cannot tell; so lost they are in their reverie.

Then, the music disappears.

A TALE OF RESURRECTION

Calico now is dying – a butterfly’s natural death. She lights upon Sister Lily’s cheek and flutters one last time.

Calico whispers, but all desert creatures hear her. ‘Do not feel sorrow for the dying. They live on in those for whom they cared. Grieve only that they no longer feel life’s glory.’ She drops onto Lily’s arm. Instantly, she shrivels to a larva, no bigger than a dot. She rolls, falls, and then catches on a flower near Prick Lily’s trunk.

Begins the magic of instantaneous re-chrysalis – the domain of Calico alone. Larva morphs to caterpillar, hatching, devouring flower. Chrysalis sack becomes big as a worm, absorbs sky’s colors, burns with them. The image of Calico shines over the desert; almost out-glowing Poppy Sol.

Prick Lily shouts out to the desert creatures surrounding her, ‘Look skyward, All. You’re seeing the glory of commencin’-on.’

Then, a re-born Calico appears.

Prick Lily weeps joyfully at the beauty she sees. Her falling flower petal tears brush the sand-bound creatures’ faces, replacing their ‘glums’ with smiles.

 

My heart flutters like Calico, A Foundling's Gentlest Friend (©2013  Image by Joseph Rintoul)

My heart flutters like Calico, A Foundling’s Gentlest Friend
(©2013 Image by Joseph Rintoul)

(Read more of sisters Calico and Prick Lily in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh (additions)

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APRIL FUELS POETRY

by Raji Singh

Our Founder, James Thaddeus “Blackjack” Fiction  ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

The gods of words have decreed it: April is National Poetry Month. Here at the Fiction House we enjoy telling tales. Some are poignant. Others are just plain tall. We like mixing in a little verse with the tales now and then. Often it is flamboyant. Just as often, it is heartfelt.

Throughout April, when you stop by the Fiction House we will be reciting some of our in-house favorites, and relishing in some of the world’s classics. Here is a poem from Mark Rogers, author of Fiction House Publishing’s, Seeds of Vengeance.

*   *   *

A Collier’s Lament

From the thresholds of hell, the miners emerge.

Sluggishly, worn leather boots clapping the earth,

dragging pick, axes and flat shovels –

they leave behind in the dust any hopes for the future.

Another twelve hours in the ‘hole’;

Faces, mouths, and clothes blackened with the gritty soot.

Spirits deflated from crawling like rats underground,

burrowing through areas little wider than their pain-wracked bodies,

 emptying sharp coal chunks into finger-splitting railcars,

 hoping rotted support beams wouldn’t splinter and crush them.

©2014 Raji Singh

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

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CHARLES DARWIN MEETS TURT (‘naked and loving it’) Repost

by Raji Singh (editor, archivist, archeo-apologist, Fiction House Publishing)

Our Founder, James Thaddeus "Blackjack" Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.I cannot refuse.

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse. 

The upcoming passage comes from the galley proofs of; THE BEAGLE HAS LANDED by Charles Darwin.  Fiction House Publishing, 1838.  Memos I am discovering in the Fiction House archives indicate the publisher, James Thaddeus ‘Blackjack’ Fiction, my great-great grandfather, was dissatisfied with the original draft supplied by Darwin.  He enlisted Fiction House’s chief writer, William ‘Golden Boy’ Golden to collaborate with Darwin on what would become the final version.

Because Golden Boy was mostly associated with western writing so popular during that time- period, Fiction omitted Golden’s ‘as told to’ name from the publication.  He made that decision in the thinking that it might hinder both Golden Boy’s entertainment sales and Charles Darwin’s scientific sales.

This passage can be viewed in its full context in TALES OF THE FICTION HOUSE

*     *     *

On calm waters, aboard the H.M.S. Beagle.  Charles Darwin adjusts his spectacles as he writes at the desk in his wood-paneled cabin.

‘I met the strangest creature during the third week of our voyage.  He had been following us for a good two weeks, as if he knew our plans.  We netted him up.  He did not fight us.  It was as if he was curious about something and wanted aboard.

‘Age 25 to 45.  Length, beak to tail, 144 cm.  Head, the size of my fists together.  I wonder how big eventually he will become.  Hippo, elephant-sized, or stay the height of a large St. Bernard as he is now.  He is shelled, but make no mistake, despite the abbreviated lettering on his shell – T-U-R-T – he is no turtle.

‘(There are tales of an island of those like him.  They sun by day and at night blare trumpet-like, beautiful seductive music, through their highly intricate larynx.  They would be extinct now, if accounts I have heard are true.)

‘His feet are finned yet strangely clawed, as those of a large raccoon.  He could traverse land – he demonstrated that as he coursed the Beagle’s deck – as well as he could swim seas, though not as fast.

‘There is artwork on his shell.  It is Exquisite!  Like those of sailors who are completely illustrated.  The artwork on his shell encompasses within an African village motif.  Surely, it is the work of the finest of tattoo visionaries.

‘Perhaps that is where he was hatched and it was carved in when he was hardly bigger than my thumb.  I will go into more detail on that later when I study the ship artist’s precise copy.  The art may reveal clues to the mystery of his species.  (A crewman sneaked onto the deck one night and painted the ship’s mascot, the beagle, next to an existing image of a sneering tabby standing erect, his paws poised in boxing gloves.)’

~ ~ editor note:  Cat Boxing of the 19th century:  P.T. Barnum called it ‘The greatest sport on earth’.  The top cat boxers were most always foundlings because those, like Puss ‘N Gloves, depicted on Turt, were the toughest of pusses, having to survive the wilds as cute kittens.  From alley – to ring royalty.  They were treated s top racehorses are today.  Carried on the shoulders of a quartet of humans, the combatants traveled to bouts in ‘spired edifices’, velvet inside, large enough for feline cousin, the tiger.  Humans by the thousands, lined-up to view the parade of lavish ‘cat-sels’.  ~ ~

‘I speculate that this ‘TURT’ who honored our BEAGLE with his visit is a creature only thought extinct.

‘He stayed with us all the way to and through our Galapagos Island studies.  It was as if he were on his own voyage of discovery.  Of what I will probably always wonder.  He seemed nervous, disconcerted, and maybe even lonely.  As if he were the last of his kind, yet, didn’t want it to be so, I theorize.’

Darwin’s long face wrinkles.  He sets aside pen, removes jacket, tie, spectacles, and rolls up shirtsleeves.  He stretches, puts hands behind his head, and thinks.  I miss the fellow.  Been gone three weeks now.  I admire what must be his tenacity for life.  For what more, could one ask?

Darwin, exhausted from a day spent in writing, begins to doze.  Aloud, but to no one but himself, he says, “Ah Turt.  You will probably be around long after I have departed this world.  The wonderful adventures you will have that never will I see.”

Then, Charles Darwin drifts to sleep and dreams of crossing the Atlantic, blissfully riding atop Turt’s shell.  And Charles is naked, and loving it.

(Journey with Charles and Turt in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©Raji Singh, 2012

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ST. PATRICK’S DAY TALE– RRROSE HEATHER, A DAUGHTER OF OL’ IRE-LAND

By Raji Singh

Just one of the 1,001 Tales residing for all eternity in the Fiction House.

Our Founder, James Thaddeus “Blackjack” Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’ These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House. I cannot refuse. (Artwork enhancements by: Joseph Rintoul)

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we never lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse.
(Artwork enhancements by: Joseph Rintoul)

(James is a four-year-old foundling.  His ill fate causes him to loose his memory.  Turt is a long-lived sort of giant turtle, ferrying James to safety in the Lindian woods. )

NOW COMES THE TALE OF JAMES’ FIRST MUSE

1966 – The Lindian Woods

James has the grandest view as he rides atop Turt: His butterflies play beneath the woodland’s vine canopy; treed monkeys screech, pointing at, scrutinizing the foreign flutterers; harmless blue-gold ground snakes retreat to behind bushes when Turt’s trip-hammer fin-claws ‘CLOMP’ close.

It is at this moment James looks to one side and sees – HER.

She wasn’t there moments before. So different then anyone he’s ever seen: Feather-laden hat, shoes that button at sides, and slender, not quite petite – so curvy in a rose-printed ankle-length dress. To keep within confines, continuously she boosts sleek bosom. Gleaming in the sunlight and separated by an emerald-jeweled shamrock brooch, those mounds seem, to the four year old, to encompass all of her.

But, ‘aah, her face.’ Hypnotizing.

“You are so pretty.”

‘So all the gents say, lad. I’ll not blush at the compliment. No innocent colleen, I.’

“What’s your name?”

‘I be Rrrose Heather, Jamie.’ Her R’s roll. Saucy brogue sways in cadence with swiveling hips as alongside travelers she tags. ‘Comes I from old Cincinnat’, via old Ire-land. Your and my bedrooms be adjacent one another, though separated by over a century.Remember blarney tales of me? No? How about of me’ friends Mariner, Carper?’ James’ face is blank.

Under The Kissing Tree: Where First I met Rrrose Heather (Image ©2014 Raji Singh)

Under The Kissing Tree:
Where First I met Rrrose Heather
(Image ©2014 Raji Singh)

(Carper is James’ great-great-grandfa, a foundling 140 years earlier.  Blackjack Fiction would one day build his publishing house on the site of Rrrose Heather’s burned bordello. Many years later, Dr. Fiction would add onto it for his clinic. )

‘Well we’ll keep company, handsome, and I’ll tell ya’. So one day ya’ be all-rememberin’.’

She stretches, tiptoe, for hanging moss. James’ eyes widen. She shields bosom. ‘Ooh, Lad! They almost leaped out: Can’t be lettin’ ya’ be glimspen’, now can I.’ She rubs James’ mosquito-bit legs with the moss. Cool, soothing. ‘Seen me Mariner use somethin’ like this for healin’. Works, suren’ it does.’

It is similar to the same green substance James has seen in vials in his father’s medical valise.

A feeling of joy suddenly brims within Turt. Because, out-of-nowhere he thinks of lovely, ageless, Rrrose Heather: Hasn’t seen her in a century. He breathes deep. Her floral scent swells his senses. Though he cannot see her, he is remembering, mesmerized by her sweeping black hair, the forever purplish-pink flower of cheeks from whence came name, Rrrose of the Heather.

Her face is lineless at 18 years or 80, eyes, weepy, smiling all at once. They glow, so blue, emblazoned with curiosity, knowledge, with an impassioned desire to fully partake of life’s pleasurable mysteries – which, she has.

Turt, he feels her presence, as if she was beside him, painting a heather-garlanded rose onto his shell as she had done so long ago. Though faded, its kiss, unlike so many of the other paintings on him, miraculously has withstood the ravages of sun, sea, and time. He saved her life, or had she, his? Neither really knew which. (But that’s adventure for another day.)

Turt hears James talk to her. He trumpets low. Will she hear my greeting?

Turt imagines she pets his head. Her touch is soft, warm.

James feels her fingers combing through his hair. He’s reminded of his…

‘Your mother, Jamie, nay could she be here. She sent me.’

“I don’t remember her, Rrrose Heather.” Gentle hands cup his cheeks.

‘Poor chil’. Course not. But see her in me. Though we be different – traveled such different paths – deep within, we are alike as twin shamrocks of a meadow. We both be women of the flesh business. Hers was in helping heal it, and me, in bringing it pleasure. Most-importantly, though, oh how we loved, fully. She; you and your fa. Me; Carper and the Mariner. And of course Turt…’ She strokes the flower on his shell.

Turt sighs. Thinking of Rrrose lightens his burdens.

Calico (©2013  Image by Joseph Rintoul)

Calico
(©2013 Image by Joseph Rintoul)

‘…and I loves’ ya’, Jamie; and young Master Jamie will come to love his Rrrose. I’ll be here when ya’ need me. Just as my sister Calico is.’ She opens palm. There’s Calico. The pretty butterfly flies to and nestles in his hair.

James yawns; so tired – so much to feel.

‘Sleepy chil’. Lie down. I’ll tell a grand tale where you’ll experience what’s rosy, and what’s not; and be learnin’ from the lessons.’ She strokes his forehead. He feels the soothing motion of being tucked-in by Rrrose Heather as a blanket of butterflies flutter barely above him. ‘Once upon a time…way down in the Leezianna swamps, lived the dreaded Thibidioux, Jamie…’

‘Who is this Jamie?’ he wonders.

Next Week:  You’ll meet Calico!

(Feel welcome to visit Rrrose Heather’s bodacious bordello in the novel, Tales of Fiction House.  Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read of their origins in my novel TALES OF THE FICTION HOUSE.   My novel is available at Amazon, (Kindle and Trade Paperback) and Barnes and Noble.)

©2013 Raji Singh

©2014 Raji Singh

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THE LINCOLN-DARWIN STUMP DEBATE OF FEBRUARY 12, 1809. PART II: WHAT CHILDS ARE THESE?

by Raji Singh    (continued from last week)

Abracadabra, Magi! 

Our Founder, James Thaddeus "Blackjack" Fiction ‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.I cannot refuse.

Our Founder, James Thaddeus “Blackjack” Fiction
‘Tell our stories, Raji. If you don’t, it will be as if we’ll never have lived.’
These whispering cries of joy and sorrow rise from the bookshelves and portraits in the Fiction House.
I cannot refuse. 

Appearing from seemingly out of nowhere in the desolate desert-scape, three kingly wise men:  Melchior, Balthazar, and Caspar.  They’ve a star to direct them as they goad their camels across the sand to find their manger babe.  For Christ’s-sake, you know the story, delivering precious gold, frankincense, and myrrh.  (You know.  That December Noel:  It’s been in all the papers, and on the internet.)

UPDATE:  Eighteen hundred and nine years, give or take a couple of months later, the pre-manger-ed Charles Darwin and Abe Lincoln have their star followers.  They are ones not quite-so royal as Mel, Bali, and Cassie.  The baby, destined to be Abie, his star followers are a salty sea dog – the Mariner, and a seasoned centenarian bayou healer-seer – Mama Lucy.  The yet evolving Darwin’s is a barnacle crusted, giant of a shell-domed land-sea creature – Turt.

Mariner and Mama travel – from the bayou, aboard a swift skiff:  up the Mississippi and Ohio Rivers, to Kentucky, the place of Abie’s birth.  Turt swims out the gulf, catches a jet ocean current, and crosses the Atlantic to England.  The trio bears gifts – a male pigeon, from the humans, for the not yet arrived log cabin Lincoln: for the future little Victorian darling Darwin, from the land-sea beast, the pigeon’s female, mate-for-life.

~ ~ editor note:  I am discovering these details as I archive Fiction House Publishing Company reference collections.  They are so obscure the patina of dust on the leather covering indicate they have not been opened for over a century.  ~ ~    

The other gift for the little emancipator and evolutionary to be’s – one more precious than all the glittering precious bullion or prized aromatic fragrances any royalty can give – Mama Lucy’s Newborn’s Stump Juice Healing Elixir.

(SPOILER ALERT!!!  Well not such a spoiler since we all know what became of our story’s title characters.  Suffice to say there was no debate necessary about utilizing Mama’s stump juice to help the mothers’ deliveries.  Without it, the babes would not have survived.)

Darwin’s parents are shocked at first seeing the beak-snouted monster as he hisses outside the window to get their attention.  He carries, in one of his fin-claws, the stump juice canister with a tiny gold spoon attached.  Alas, Mr and Mrs Darwin readily accept the gift of the pigeon – after nearly losing little Charles and trying everything to save him, even to having the doctor reluctantly gently spoon the elixir down the newborn’s gullet.  Ditto with little Abe’s parents midwife when Mariner and Mama Lucy arrived.

(You can read the thrilling and spectacular turn of events that led to the doctor and the midwife, against their better judgment, “but only at first”, reaching for the stump juice elixir as “a final life-saving resort” – in, Fiction House Publishing’s upcoming history Abe, and Charlie – Boyhood Friends, an Ocean Apart.)

*     *     *

Now to the pigeons:  Both were carefully trained by Mariner at sea and later by land – to find each other in any port, in any storm, in any coop.  Mariner hoped the newborns, the two future renowned figures, Mama Lucy soothsaid they’d become, would keep in contact with each other.

     How many hundreds of roundtrips did those bird-mates eventually make?  Their retirement together was a happy, contented one, visiting the major cities and statues of the world.  Dropping, plopping their ‘postcards’, to let feathered friends and two-leg strangers know they were there.  How many flights did their dozens of offspring continue to make for well over half-a-century?  Between England and Kentucky.  Between  Galapagos and D.C.  Find out in Fiction House Publishing’s follow up to Abe and Charlie – Boyhood Friends…, tentatively titled Abraham, and Charles – Lifelong Avian Chums.

     Thus, it is now revealed.  Abe and Charles were brought together by three wise Fiction House residents, and not to forget, Fiction House frequent flyer guests:  Maxine and Maxwell, aka ‘the ever lovin’ Pigeons.

     *     *     *

Here’s the pleasant irony – no, really more of a coincidence – just being revealed by the wonders of modern chemistry.  The two major ingredients of the hundreds in the infant elixir mix are frankincense, and myrrh, and they are activated through administration with a gold spoon.

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read their origins in my novel TALES OF THE FICTION HOUSE, but that’s a different story.  It’s available at Amazon, and Barnes and Noble.)

© Raji Sing 2012

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THE LINCOLN-DARWIN STUMP DEBATE OF FEBRUARY 12, 1809, PART I

by Raji Singh

     Steven Spielberg’s excellent portraying of America’s 16th President omits – probably because of cinematic time constraints – dramatic events of Abraham Lincoln’s Kentucky log cabin birth.  Those events relate directly to Charles Darwin’s birth in England on that same day.

The story begins, for the revolutionary evolutionary and the rail-splitter turned (alleged) vampire splitter a fortnight before they arrived in this world.  It begins with…

*     *     *

Mariner sits cross-leg atop Turt’s shell as they glide down the Leezian’ bayou.  He looks upward, mentally charting the strange new celestial alignment, even he, as an experienced seaman, has never observed:  A pair of stars – bright as planets – appears on a slow course of collision.

A pigeon perches on Mariner’s shoulders; another is at his ankles.  Their outstretched wings catch a light breeze and provide sail power.  Normally Mariner appears a muscled Poseidon – wild ivory hair, eyes fiery, clenching his trident-like custom-made harpoon.  But on this twinkling night, he’s swift, gentle Mercury in pigeon feather helmet and winged sandals.  He almost feels Mercury, messenger of the Gods, delivering news imperative to the survival of all mortals.

Neither Mariner nor Turt fear gators that swim near.  Mariner’s unrivaled in harpoons-manship.  Turt’s beak-snout strength and the quickness of his fin-claws overpower any gator, any size.

“Breathe in, deep-like ‘ol fella,” Mariner says to Turt.  “Smell it?  Blow me down, if we aren’t nearing our port.”

Turt arcs his crusty, leather neck and sniffs.  His perpetual beak-snout frown hides a widening smile.  He knows the joy awaiting him on the bank of the bayou:  Mama Lucy’s stump juice.

The dewy air is pleasantly thick with a fruit-nut pungency from the ferment The Healer of the Bayou brews for her medicines and delectable delights.  Our travelers are on their way to visit:  Turt, to renew old acquaintances and sip from a sumptuous stump, and Mariner, to query the blind seer about the spectacular sky omen.

From his dungaree pocket, Mariner extracts his dog-eared Seafarer’s Guide to the Galaxy and fans through the fish-smelly pages.  He finds the chart he has studied since first observing the star alignment.

~ ~ editor note:  The copy of Mariner’s ‘Guide’, necessarily vented by over two centuries in the open air, is on display at the Fiction House Bed, Breakfast, and Museum – “a nice place to stay and visit at a great price.  (When remodeling is complete.)”  ~ ~

Mariner cannot read – not a word in the ‘Guide’, but he’s versed in the celestial.  He sees on the pages and in the sky, an alignment not repeated for 1800 years and a decade – give or take a month or two:  Not since the B.C.’s became the A.D.’s, he knows, though he can’t even recognize his A,B,C,D’s.

“EEE-eee,” Mariner hears Mama Lucy screech excitedly from the bank.  “My ‘ol friends, ‘de come sailen’ in.  Back for a drink of my heavenly sin!”

*     *     *

Mama Lucy’s so old – a hundred years and many more – she’s shrunk to no taller than a yard and a third stick.  Her head is onion shape and hair sprouts up and out – bleach white.  She’s not white or black – more of an off shade of gray.  The Cayan people of the bayou have long forgotten which race from which she comes.

Mama Lucy rhymes to Mariner as she ‘reads’ the sky’s meaning .

My Bayou sky is showin’

Two Stars together comin’.

Be it glad or be it warnin’

A pair o’ birthin’ omens?

Mama’s words sublime often come in singsong rhyme.

She and Mariner sit by the bayou bank, on a log near her cabin home.  It is also her medical office / laboratory / backwoods herbal pharmacy.  Turt moseys, taste testing the varied fare the hollowed out stumps have to offer.

“Heyah Turt,” Mama Lucy calls out to him.  “Take a beak-snoutful of the grub worm aperitif. Brewed it up special for your under-shell itch relief.”

Turt sifts in a long, languorous drink of it and mentally mimics Mama’s rhyming.  ‘Ahh!  The magic fixer elixir.  If only you could carry it on a sea trek.  Nary would a parasite’s tarry make you a nervous wreck.’  Turt drains the stump and winks gratefully to MamaThe pigeons, roosting comfortably on Mariner’s shoulder perch, fly over to join him at his next stump.

    Mama Lucy bends to arrange rocks on the ground to reflect the aberrant sky show.

“As I been watchin’ ‘em, Mama,” says Mariner.  “I’m seein’ ‘em move such that in a fortnight, they’ll be right about here.”  He readjusts her display.

Mama Lucy rises, creakily.  You can almost hear her bones rattling around in her shapeless burlap sack of a dress as she ambles about blindly ‘reading’ the sky, then rocks, then sky again.  ‘Connoitering’.  Reconnoitering, the weight, the feel of the stars on her bare shoulders, their sulfur in her nostrils, and glow in her thoughts.  “Something strange indeed up high.  Important babes birthin’ nigh.  May be a needin’ my mid-wifen’ to avoid a life a’ strifen.”

Mama lay on the warm ground to keep continual ‘read’ of the sky.  Mariner stretches.  It’s been a long and cramped, though convivial, sail aboard Turt.  “If you follow the stars’ path as I’ve been doing, Mama.  You’ll see, one points to England.  ‘Tother, to up north, Kentucky.  In not many days, I could get there.  England’s ‘nother matter.”  Mariner reclines besides her, but in moments snoozes – the effects of the alcohol in the stump juice he’s imbibed takes its effect.

Mama Lucy wonders aloud.  “Ah!  But the magical sense of creatures!”  Screech owls hoot wise agreement in the distance.  She looks over at the merrily getting tipsy Turt and his pigeon friends.  “Turt could find the babe, pre-manger, across the sea.  By creature-sensing the star’s magic, he could bring my birthen’ notions to the he or she.”

Mama continues to study and ponder.  At once, out of her knowings comes the answer.

“Two to be born.  Of that, I am just sure.

They omen hope and understandin’ for the sad world’s cure.

No complicatin’ of birth will there be

With me off to Kentucky and Turt to sea.”

NEXT WEEK:  THE STUMP JUICE ELIXIR BECOMES A NEWBORN’S, ABRAHAM AND CHARLES, FIXER.

©Raji Singh 2012

(Join me every Sunday night at the Fiction House, your place for short story, lark, whimsy, and merriment.  Meet the many residents as I archive their lives and centuries of adventures.  You can read their origins in my novel, TALES OF THE FICTION HOUSE,   but that’s a different story.  It’s available at Amazon and Barnes and Noble,)

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